Archive for the ‘Advertising’ Category

The Big Sale. It’s Big, and It’s a Sale.

Wednesday, May 1st, 2013

Well, it’s finally starting to feel like spring, and we all know what that means:

Cleaning!

No? Okay then, let’s try:

Sale!

That’s right. In honour of the season and its renewing, motivating forces, we’ve decided to comb through our collection at the 401 Richmond store and reduce prices on a selection of products, books and magazines for pretty much all of the next month. It’s the inaugural Big Sale, and it’s aptly named, unlike our former annual Sidewalk Sale (which we were never actually allowed to have on the sidewalk).

Big Sale offerings include Bodoni’s mammoth Manual of Typography from Taschen;
$5 back issues of magazines and annuals such as Communication Arts, Archive and Print; a mixture of classic and contemporary products from Nava, Arzberg, Umbra, imm Living and Rosti; information-loaded digital weather-station clocks designed by Philippe Starck; past issues of the architecturally uplifting 2G Magazine (which has – rather sadly – just gone digital with the newest issue, so grab those printed copies while you can); and some elegant one-off pieces of silverware (because really, who says you need a table setting of four?).

We’ll be discounting these items, and more, right through to Sunday, May 26, when we’ll be open for the final day of Doors Open Toronto. (Another excellent reason to visit the 401 Richmond building, and Swipe in particular.)

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To purchase any of the products or titles mentioned here, please visit Swipe at 401 Richmond Street West, call us toll-free at 1-800-56-swipe or email us at info@swipe.com.

The Perennial Appeal of Annuals

Wednesday, March 7th, 2012

Cheesy gardening-related puns aside, it’s that time again! We are now fully stocked with our favourite design annuals.

2011 One Show Annual: Advertising’s Best Print, Design, Radio and TV

One Show’s newest annuals, covering their awards selections for 2011, showcase the best of current design talent worldwide. As usual, they have produced three colourful volumes: the regular One Show annual, which presents the winners of the 2011 One Show; and the Design and Interactive issues, featuring the winners of the One Show Design and One Show Interactive competitions, respectively. For self-styled renaissance people, these three books are also available in a convenient boxed set. (2012: Rockport; ISBN 9780929837499 Advertising; ISBN 9780929837505 Design; ISBN 9780929837512 Interactive; ISBN 978092837529 Boxed Set)

The One Show, Volume 33: $82.50
One Show Design, Volume 5: $54.95
One Show Interactive, Volume 14: $54.95
One Show Three-Volume Boxed Set: $169.95

Art Directors Annual 90

This volume covers the New York Art Directors Club 2011 ADC Hall of Fame Laureates, ADC Hybrid, and ADC Black Cube awards, with the addition of this year’s new ADC Designism Award, which recognizes design with an eye to social and political change. The publication includes high-quality images of award-winning work. (2011: Ava Publishing; ISBN 9782940411887)

$62.95

46th Annual Society of Publication Design Annual

With its unique mandate to honour the best in editorial design work, the Society of Publication Design draws on a broad base of international talent. Their annual showcases the work of photographers, editorial directors and journalists, among others. (2012: Rockport; ISBN 9781592537501)

$64.95

Typography 32

This eye-catching annual showcases the 208 winning designs from among 1,500-plus international submissions to TDC Communication Design 2011, the awards of the Type Directors Club, a body comprised of industry professionals from around the globe. This year’s volume, designed by New York’s Mucca Design, is notable for its striking cover and eclectic content. The annual covers a wide range of typographic inquiry, including magazine work, logotypes, corporate identity and much more.
(2012: Harper Collins; ISBN 9780061726378)

$74.95

Communication Arts 2012 Interactive Annual (18)

Communication Arts 2012 Typography Annual (2)

Communication Arts renews its commitment to documenting innovative and inspiring work in a range of disciplines. Their newest Typography Annual features 150 winning projects in advertising, typeface design, identity, packaging, periodicals and more, exhibiting a general trend toward nostalgia and the handmade. The 2012 Interactive Annual features projects in information design, advertising, entertainment and self-promotion. (2012: Communication Arts; ISBN 07447092074803)

Each $29.95

D&AD 2011

This extensive volume covers outstanding work in the fields of branding, film production, digital media, photography, general design and creative work, and advertising. Winners receive the Yellow Pencil Award, and the more sought-after    Black Pencil Award. (2011: Taschen; ISBN 9783836528849)

$64.95

Directions 2011

The Advertising and Design Club of Canada annual awards show is widely regarded as Canada’s finest showcase of exceptional work in graphic design, advertising broadcast and print, interactive media and editorial design. The printed annual features an elegant cover design and concise layout. (2011: ADCC)

$65.00

Red Dot Design Yearbook 2011/2012: Living and Doing

This weighty (and surprisingly affordable!) two-volume set is a comprehensive yearly roundup of Red Dot’s product design selections. Living presents products for the home and personal use, and Doing is dedicated to items such as cars, cameras, tools and various electronic devices. (2011: Red Dot Editions; ISBN 9783899391213)

$41.95

German Design Award 2011

The German Design Council is known for its discerning awards criteria, including the stipulation that a company can only enter if it already holds a national or international design award. This two-volume boxed set is a collection of the crème de la crème of current product and communication design, with a focus on work that is both innovative and user-friendly. (2012: Gestalten; ISBN 9783899553499)

$87.95

Doubt ’til Thou Canst Doubt No More.
- Albert Guerard

Wednesday, March 9th, 2011

Illustrated by Gary Taxali, this little book provides a compact vehicle for TAXI’s creative manifestos and is a source of both entertainment and inspiration. Doubt has long been an influential concept at the company’s core, and indeed shapes their philosophy: “Doubt the conventional. Create the exceptional.”


Although he lives in a world where he is shunned by pop song lyricists, house cats, big-box shoppers, classic rock radio programmers, grandmothers, and all left-brain thinkers, Doubt continues to throw dynamite at history and use his outlaw thinking to move us all forward. Some love him. Others hate him. But nobody ignores him.

The book presents 12 insights into how to use doubt as a catalyst for change. These insights are delivered by a cocky little character called Doubt.

Doubt’s teachings are supported by 38 contemporary Disciples of Doubt whose stories attest to the power of unconventional thinking to bring about positive change, and range from classic game changers like the Sony Walkman and Fuzzy Logic to less-heralded discoveries like Y-Chromosomal Adam and the Intensive Care Checklist. (2010: TAXI; ISBN 0986741809)

Each: $21.95

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To purchase any of the products or titles mentioned here, please visit our downtown Toronto location, call us toll-free at 1-800-56-swipe or e-mail us at: info@swipe.com.

Another Year Gone By, and Another Year Here to Flip Through Winning Annual Entries and Think to Ourselves, “Yeah, I Could Have Done That” …

Wednesday, March 9th, 2011

It’s a new year and time to get back to work (and by work we mean flip through the annuals, slagging the work that won the awards you should have won).

One Show 32: Advertising’s Best Print, Design, Radio and TV

Once again the North American advertising and design industries’ most prestigious annual has been divided into three separate books: Advertising, Design and Interactive. While the One Show originated as an awards program focused on advertising copywriting, it is interesting to note that this year the three annuals are roughly the same size. And, once again, the Club is offering a boxed set for those who refuse to be pigeonholed. (2011: Rockport; ISBN 9780929837444 Advertising; ISBN 9780929837451 Design; ISBN 9780929837468 Interactive; ISBN 9780929837475 Boxed Set)

One Show 32 Advertising: $76.95
One Show 32 Design (Volume 4): $54.50
One Show 32 Interactive (Volume 13): 54.50
One Show 32 Three Volume Boxed Set: $164.95

89th New York Art Directors Annual

Considered by many in the industry to be one of the toughest awards programs, the New York Art Directors Club presents the latest winners in both the national and international categories (includes a DVD with the multi-media award winners). (2011: RotoVision; ISBN 9782888931478)

$89.95

45th Society of Publication Design Annual (SPD)

The Society of Publication Designers annual is the only international awards program that specifically showcases the work of editorial art directors, with sections devoted to trade, corporate, institutional, newspaper, and consumer publication design. (2011: Rockport; ISBN 9781592536696)

$64.95

Typography 31: The Annual of the Type Director’s Club

The Type Director’s Club annual is the most eagerly anticipated of the awards program showcases we carry. This 31st edition is designed by Paul Sahre, famous for his off-Broadway poster art as well as his book jacket design work for authors such as Victor Pelevin and Rick Moody. Winning designs encompass a wide scope of categories which include logo design, corporate identities, books, web graphics, magazines, and more. (2011: Harper Collins; ISBN 9780061726323).

$70.95

Graphis Design Annual 2011

The flagship annual from Graphis, published continuously since 1952. This year’s volume honours the lives of Heinz Edelmann and David Levine and their legendary design and illustration work. Also included is a Q&A section with Brand Union, a UK-based firm that was awarded for their exquisite packaging design for rare whiskies.  (2010: Graphis; ISBN 9781932026665)

Graphis Advertising Annual 2011

One of the more recent additions to the Graphis publishing program. Since its introduction in 1993, Graphis Advertising has become an important single-volume alternative to the regional and association-based annuals. In-depth features include seasoned work from advertising agencies including TAXI Canada Inc., JWT Chile, Goodby, and Pyper Paul + Kenney. (2010: Graphis; ISBN 9781932026627)

Each $84.95

Communication Arts 2010 Advertising Annual

Communication Arts 2010 Design Annual

Communication Arts recently announced that they will no longer be publishing general magazine issues and instead produce only the six annuals that have become the focus of the publishing program over the past several years. Though we will miss the critical articles that previously characterized the publication, we are gratified that the print version of theses annuals will continue to offer professionals and students an economical overview of the year’s best work.  (2010: Communication Arts; ISBN 7447092148 Advertising; ISBN 7447092147 Design)

Each: $29.95

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To purchase any of the products or titles mentioned here, please visit our downtown Toronto location, call us toll-free at 1-800-56-swipe or e-mail us at: info@swipe.com.

Bibio: -graphic, -mania, -phile, etc.

Friday, January 15th, 2010

bibliographic

Bibliographic: 100 Classic Graphic Design Books
? 2009: Jason Godfrey

Let us begin by admitting that it is impossible for this book to have been sufficiently good for us not to have found reason to criticize it and, conversely, that the book would have had to have been quite terrifically bad for us not to be thrilled to see it published. We sell books. Specifically, we sell graphic design books. Write a history of live bait and Ned “Dew Worm” Johnson* is gonna love it. And yes, we love Bibliographic: 100 Classic Graphic Design Books. In his introduction Godfrey is quick to point out that this is not intended to be a history of Twentieth Century graphic design nor should it be taken as exhaustive. And, while one might take issue with some of the titles included (Chuck Anderson’s Old Advertising Cuts from A–Z) and be offended by (or feel smug about) the absence of one’s personal favourite (Otl Aicher’s Typographie), there are selections here that demonstrate an unexpected level of thoughtful sophistication. The sight of the Morgan Press wood type samples should be enough to encourage any typophile to forgive nearly any other omission (though, as Canadians, it’s hard to accept that Carl Dair’s Design with Type didn’t even make the Further Readings list!). (2009: Laurence King Publishing; ISBN  9781856695923)
* A real guy (as a teenager I tried picking worms to make pocket money) – David

$62.50

OK, so here’s the list (*asterisks mark the titles that are in print and available from Swipe). Scoff away!

Typography
American Line Type Book
Spécimen Général: Tome 1

Die Neue Typographie
, Jan Tschichold*
Modern and Historical Typography, Imre Reiner
The Letter as a Work of Art, Dr Gerard Knuttel
Manuale Typographicum, Hermann Zapf
The Encyclopaedia of Type Faces, W. Turner Berry, A.F. Johnson & W.P. Jaspert*
Alphabet Thesaurus Nine Thousand
An Atlas of Typeforms, James Sutton & Alan Bartram
Wood 2
American Wood Type: 1828–1900, Rob Roy Kelly
Letraset
A Constructed Roman Alphabet, David Lance Goines
Igarashi Alphabets, Takenobu Igarashi
London’s Handwriting, Colin Banks
Helvetica: Homage to a Typeface, Lars Müller*

Sourcebooks
Handbook of Designs and Devices
, Clarence P. Hornung
Printed Ephemera
, John Lewis
Semiologie Graphique, Jacques Bertin
Letter and Image, Robert Massin

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Trade Marks & Symbols, Yasaburo Kuwayama
Label Design, Claude Humbert
Symbol Sourcebook, Henry Dreyfuss*
Handbook of Pictorial Symbols, Rudolf Modley*
Words and Buildings, Jock Kinneir
The Dictionary of Visual Language, Philip Thompson & Peter Davenport
Old Advertising Cuts from A–Z, Charles S. Anderson
Today’s Hieroglyphs, Hans-Rudolf Lutz*
Alphabets & Other Signs, Julian Rothenstein & Mel Gooding (editors)

Instructional
Layout in Advertising
, W.A. Dwiggins
Mise en Page
, Alfred Tolmer
Colour in Advertising
, Joseph Binder
Language of Vision
, György Kepes
Vision in Motion
, László Moholy-Nagy
The Graphic Artist and His Design Problems
, Josef Müller-Brockmann
Typography
, Aaron Burns
Typography: Basic Principles
, John Lewis
Graphic Design Manual
, Armin Hofmann*

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Visual Presentation of Invisible Processes, Anton Stankowski
Typography
, Emil Ruder*
A Sign Systems Manual, Crosby/Fletcher/Forbes
Grid Systems in Graphic Design
, Josef Müller-Brockmann*
The Visual Display of Quantitative Information, Edward R. Tufte*
Notes on Book Design, Derek Birdsall*

Histories
The New Graphic Art, Karl Gerstner & Markus Kutter
Functional Graphic Design in the 20’s, Eckhard Neumann

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Pioneers of Modern Typography, Herbert Spencer
Images of an Era
, John Garrigan, Margaret Cogswell, Milton Glaser, Dore Ashton & Alan Gowans
The Language of Graphics, Edward Booth-Clibborn & Daniele Baroni
A History of Graphic Design, Philip B. Meggs*
Bauhaus: Drucksachen, Typografie, Reklame, Gerd Fleischmann
Typography: When Who How, Friedrich Friedl, Nicolaus Ott & Bernard Stein
Graphic Styles, Steven Heller & Seymour Chwast*
Graphic Design: A Concise History, Richard Hollis*

Anthologies
Seven Designers Look at Trademark Design, Egbert Jacobson (editor)
Polski Plakat Filmowy, Tadeusz Kowalski (editor)
Graphic Design: Visual Comparisons, Alan Fletcher, Colin Forbes & Bob Gill
Publicity and Graphic Design in the Chemical Industry, Hans Neuburg
Design Coordination and Corporate Image, F.H.K. Henrion & Alan Parkin
Graphis Diagrams, Walter Herdeg (editor)
Top Graphic Design, F.H.K. Henrion
The Liberated Page, Herbert Spencer (editor)
Typography Now, Rick Poynor & Edward Booth-Clibborn (editors)
Carouschka’s Tickets, Carouschka Streijffert & Peter Kihlgard

Monographs
Thoughts on Design
, Paul Rand
Esposizioni e Mostre
, Erberto Carboni
Visual Design in Action
, Ladislav Sutnar
Love and Joy about Letters
, Ben Shahn
Milton Glaser: G
raphic Design, Milton Glaser
The Graphic Design of Yusaku Kamekura, Yusaku Kamekura
Jan Tschichold: Typographer, Ruari McLean

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The Art of Advertising, George Lois & Bill Pitts
The Complete Tadanori Yokoo, Tadanori Yokoo
‘Walk Away René’, George Hardie & Storm Thorgerson
Living by Design, The Partners of Pentagram & Peter Gorb (editor)
Forget All the Rules You Ever Learned about Graphic Design. Including the Ones in this Book., Bob Gill
Lo Studio Boggeri: 1933–1981, Bruno Monguzzi (editor)
Paul Rand: A Designer’s Art, Paul Rand
Herb Lubalin: Art Director, Graphic Designer and Typographer, Gertrude Snyder & Alan Peckolick
Cassandre, Henri Mouron
The Left-Handed Designer, Seymour Chwast
Dorfsman & CBS, Dick Hess & Marion Muller
The Art of Graphic Design, Bradbury Thompson
The Graphic Language of Neville Brody, Neville Brody & Jon Wozencroft*
Brodovitch, Andy Grundberg
Siegfried Odermatt & Rosmarie Tissi: Graphic Design, Siegfried Odermatt, Rosmarie Tissi with Jack Waser & Werner M. Wolf (editors)
Nova: 1965–1975, David Hillman, Harri Peccinotti & David Gibbs (editor)
The End of Print, Lewis Blackwell & David Carson
Printed Matter, Robin Kinross, Jaap van Triest & Karel Martens (editors)*

bibliographicspread2

Wim Crouwel: Mode en Module, Frederike Huygen & Hugues C. Boekraad
I Am Almost Always Hungry, Cahan & Associates*
Tibor Kalman: Perverse Optimist, Peter Hall & Michael Bierut (editors)*
Weingart: Typography, Wolfgang Weingart
Maeda @ Media, John Maeda*
The Art of Looking Sideways, Alan Fletcher*
Sagmeister: Made You Look, Peter Hall*
Make it Bigger, Paula Scher*
Designed by Peter Saville, Emily King (editor)
8vo: On the Outside, Mark Holt & Hamish Muir*
Robert Brownjohn: Sex and Typography, Emily King*

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To purchase any of the products or titles mentioned here, please visit our downtown Toronto location, call us toll-free at 1-800-56-swipe or e-mail us at: info@swipe.com.

It’s January. It’s Annual Season. It’s Time to Engage in that Time-Honoured Tradition: Resenting the Success of Others …

Friday, January 8th, 2010

It’s a new year and time to get back to work (and by work we mean flip through the annuals, slagging the work that won the awards you should have won).

oneshowadvertising31oneshopdesign3oneshowinveractive12

One Show 31: Advertising’s Best Print, Design, Radio and TV

Once again the North American advertising and design industries’ most prestigious annual has been divided into three separate books: Advertising, Design and Interactive. While the One Show originated as an awards program focused on advertising copywriting, it is interesting to note that this year the three annuals are roughly the same size. And, once again, the Club is offering a boxed set for those who refuse to be pigeonholed. (2010: Rockport; ISBN 9780929837406 Advertising; ISBN 9780929837383 Design; ISBN 9780929837420 Interactive; ISBN 9780929837437 Boxed Set)

One Show 31 Advertising: $87.50
One Show 31 Design (Volume 3): $62.50
One Show 31 Interactive (Volume 12): $62.50
One Show 31 – 3 Volume Boxed Set: $187.50

ada88spd44spacertdctypography30

88th New York Art Directors Annual

Considered by many in the industry to be one of the toughest awards programs, the New York Art Directors Club presents the latest winners in both the national and international categories (includes a DVD with the multi-media award winners). (2010: RotoVision; ISBN 9782888930853)

$99.95

44th Society of Publication Design Annual (SPD)

The Society of Publication Designers annual is the only international awards program that specifically showcases the work of editorial art directors, with sections devoted to trade, corporate, institutional, newspaper, and consumer publication design. (2009: Rockport; ISBN 9781592535866)

$74.95

Typography 30: The Annual of the Type Directors Club

The Type Director’s Club annual is the most eagerly anticipated of the awards program showcases we carry. This 30th edition, designed by Werner Design Werks, includes the winning entries from both the TDC55 Typography Competition and the TDC2 2009 Type Design Competition. Also included is a reprint of the original pages from the fifth TDC Competition held in 1960. (2010: Harper Collins; ISBN 9780061726316).

$77.95

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Graphis Design Annual 2010

The flagship annual from Graphis, published continuously since 1952, this year’s volume features linked essays by Robert Priest, one of the platinum winners in this Annual; Office, who branded David Eggers’ non-profit pirate store in San Francisco; and Goodby, Silverstein & Partners, creators of HP’s Vivienne Tam mini-laptop campaign. (2009: Graphis; ISBN 9781932026535)

Graphis Advertising Annual 2010

One of the more recent additions to the Graphis publishing program, since its introduction in 1993, Graphis Advertising has become an important single-volume alternative to the regional and association-based annuals. In-depth features include Adrian Pulfer and Lynn Dangel of Dangel Advertising explaining the latest Crate and Barrel campaign; DeVito/Verdi’s Jay Marsen and Alexei Beltrone on their Legal Sea Foods mock-newspaper ads; and Jim Prior of The Partners discussing the inspiration behind an exhibition for The National Gallery of London. (2009: Graphis; ISBN 9781932026566)

Each $84.95

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Communication Arts 2009 Advertising Annual

Communication Arts 2009 Design Annual

Communication Arts recently announced that they will no longer be publishing general magazine issues and instead produce only the six annuals that have become the focus of the publishing program over the past several years. Though we will miss the critical articles that previously characterized the publication, we are gratified that the print version of theses annuals will continue to offer professionals and students an economical overview of the year’s best work.  (2009: Communications Arts; ISBN 007447092074801)

Each: $29.95

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To purchase any of the products or titles mentioned here, please visit our downtown Toronto location, call us toll-free at 1-800-56-swipe or e-mail us at: info@swipe.com.

Noise Five (Signal-Free Graphic Design)

Wednesday, May 27th, 2009

noise5

NoiseFive
? 2008: Attik

Founded in Huddersfield, England in 1986 by Simon Needham and James Sommerville with a £2,000 grant from the Prince’s Trust, ATTIK has since grown into a multi-discplinary brand development company with 200 designers employed in five studios on three continents. ATTIK’s success can be traced to two key projects: the publication, beginning in 1995, of a series of self-initiated, experimental design books with the shared title Noise; and its revolutionary work for Toyota in launching the groundbreaking youth brand, Scion, in 2002.

It’s been 7 years since the release of Noise Four and, with the acquisition of ATTIK in 2007 by Dentsu Inc., the world’s largest advertising agency, we feared that Four would be the last. Thankfully we were wrong. Three years in the making, NoiseFive is the most elaborate production yet in a series noted for extravagance, with nine paper stocks, 30 spot colours and a staggering range of print finishes, from foil blocking and laser cutting to heat-sensitive ink and scratch-and-sniff. In addition to experimental designs contributed by ATTIK’s UK, New York, San Francisco and Santa Monica offices, the book offers a detailed retrospective of the agency’s work and profiles of its principals. Limited to 1,000 copies in distribution, Swipe is the exclusive Canadian source for highly anticipated publication. (2009: Attik; ISBN 9780955883002)

$129.95

Shipping is available across Canada and to the United States (where, in all likelihood, the book will sell out prior to release). Along the same lines, Pentagram Marks, which sold out immediately worldwide, is currently trading at somewhere around US $1,000 a copy on Amazon and E-Bay. Swipe sold all 20 copies reserved for Canada and now has a couple of customers willing to resell their copies at US $500. If you are genuinely interested in acquiring Pentagram Marks at this price, please e-mail us.

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To purchase any of the products or titles mentioned here, please visit our downtown Toronto location, call us toll-free at 1-800-56-swipe or e-mail us at: info@swipe.com.

Do Gooder

Tuesday, May 26th, 2009

dogood

Do Good Design: How Designers Can Change the World
? 2008: David B. Berman cdnmapleleaf

As ethics chair for the Society of Graphic Designers of Canada, David Berman was responsible for the develpement of the RGD and GDC code of ethics, now used by Icograda as a template for national graphic design organizations worldwide. In Do Good Design Berman goes beyond conventional design ethics, taking to task a profession that, too often, is paid to create deceptive or exploitative images in support of a highly destructive form of consumerism based on invented needs. “Overconsumption,” he writes, “is fueled most powerfully by clever visual arguments to convince everyone (including larger, growing Developing World populations) to consume more and more. Our impact as designers and as consumers of design is huge. We should be held responsible”.

The great American industrial designer Raymond Loewy famously refused only one job in his career: that of creating a more lethal anti-personnel hand-grenade for the American military. Berman could rightly be accused of overestimating designers’ influence in the battle between global consumerism and more humane values. Yet, while designers didn’t start the war, there is no denying that they often do help make the “weapons of mass deception” more lethal. Designers are not defense lawyers, they are not obliged to defend their clients’ malevolent actions, indeed they are ethically bound to refuse to do so (and even defense lawyers are legally prohibited from knowingly lying). Designers must not excuse their involvement in the creation of damaging messages by hiding behind the design brief. Rather Berman demands that they be guided by the overwhelming contemporary imperative to do good. (2008: Peachpit Press; ISBN 9780321573209)

$26.99

Watch here for news of a possible upcoming Toronto panel-discussion featuring Mr. Beman. In the meantime, listen to the a pair of interviews with the author, the first is Author Talk with Peachpit Press publisher Nancy Aldrich-Ruenze, about the book itself:

[audio:http://www.swipe.com/wp-content/uploads/2009/05/david_berman.mp3|titles=Author Talk with David Berman] the second, about the democratization of design, is from CBC Radio’s All In A Day with Adrien Harewood:

[audio:http://www.swipe.com/wp-content/uploads/2009/05/bermaninterviewcbc.mp3|titles=David Berman on CBC Radio]

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To purchase any of the products or titles mentioned here, please visit our downtown Toronto location, call us toll-free at 1-800-56-swipe or e-mail us at: info@swipe.com.

Graphis Gets Back on Schedule (Ironic That a Swiss Publication Should Get Off Schedule in the First Place)

Thursday, May 7th, 2009

Graphis was launched, rather optimistically, in Zurich in 1944 at the height of the Allied advance on Germany. In the following decades, the journal and founding editor Walter Herdeg were among the foremost proponents for rationalism and quality in the graphic arts. Herdeg continued to run the magazine until 1986 when it was sold and moved to New York under the editorship of B. Martin Pedersen.

Under Herdeg, Graphis never charged an entry fee for submissions, so that Graphis annuals regularly featured high-quality work by young talent. This has been particularly true in the case of Photographis, with arresting personal work being displayed alongside the best international commercial projects. There is an unfortunate perception that these publications stand somewhere behind the cutting edge, however, taking the current issues as an example, this seems unwarranted. That said, the Gold and Platinum winners categories do make the whole endeavour sound a bit like a travel rewards program.

For fans of Graphis publications in Canada, availability has been a much larger concern as the publisher has, for some years, struggled with an inconsistent release schedule and poor Canadian distribution. By the end of last year Graphis was behind by up to two years on several (formerly annual) series. We at Swipe were worried that the whole program might simply disappear. Happily, these problems seem finally to have been resolved with improved Canadian logistics and an almost overwhelming raft of new releases.

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Graphis Annuals 2009
? 2009: B. Martin Pedersen, editor

All series: $83.95

Graphis Design Annual 2009

The flagship annual from Graphis, published continuously since 1952, this year’s volume features linked essays by Stefan Sagmeister, Korea’s Ahn Sang-Soo, and Harry Pearce of Pentagram London. (2008: Graphis; ISBN 9781932026139)

Graphis Advertising Annual 2009

One of the more recent additions to the program, since its introduction in 1993, Graphis Advertising has become an important single volume alternative to the regional and association-based annuals. (2009: Graphis; ISBN 9781932026528)

Graphis Photo Annual 2009

First produced in 1966, Graphis Photo is consistently the most beautiful and inspiring general photo annual in the world. (2009: Graphis; ISBN 1932026509)

Graphis New Talent Design Annual 2009

The only international student design annual, featuring creative work produced by students from professional programs in graphic design, advertising, and photography. This edition offers a special profile of the SADI School of Design in South Korea. (2009: Graphis; ISBN 1932026460)

Graphis Annual Report 2009

Featuring 106 international examples Graphis A.R. is the only fully editorial-based annual devoted to the annual report. Designed by Robert Louie of the Louey/Rubino Design Group in Santa Monica, this year’s annual was judged by Audra Brown, David Schimmel, Michael Stinson, Davor Bruketa, Robert Louey, Javier Leguizamo, and Richard Colbourne(2009: Graphis; ISBN 1932026517)

Graphis Poster Annual 2008 / 2009

Since 1976 Graphis Poster has been the only international showcase of contemporary poster design. This edition also offers critical essays by renowned curators Christian Larsen of The MoMA, René Grohnert of The German Poster Museum, Kari Savolainen of Finland’s Lahti Poster Museum, Rene Wanner of Poster Page, and Pepe Menéndez of Cuba’s Casa de las Américas, among others. This is one of the titles that seems to have moved from an annual to an occasional publication. (2008: Graphis; ISBN 9781932026122)

Graphis Branding 5

This edition of Graphis Branding is divided into two sections, one offering 10 comprehensive case studies of recent branding projects and the other a simple showcase of 50 new identity systems. The series was formerly titled Graphis Corporate Identity and we assume Graphis already regretting the change. (2009: Graphis; ISBN 1932026207)

Previously published and also available:

Graphis Brochures 6
(2007: Graphis; ISBN 9781932026481)

Graphis Letterhead 7
(2008: Graphis; ISBN 9781932026498)

Graphis Logo 7
(2008: Graphis; ISBN 9781932026030)

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To purchase any of the products or titles mentioned here, please visit our downtown Toronto location, call us toll-free at 1-800-56-swipe or e-mail us at: info@swipe.com.

The Worst Event in the World

Tuesday, April 7th, 2009

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Swipe is pleased to announce an exclusive and intimate event celebrating the launch of The Worst Hotel in the World: the Hans Brinker Budget Hotel Amsterdam. Heineken™ tallboys and stale pretzels all ’round.

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Meet Erik Kessels and ask the question on everyone’s mind: How the f@#% do you get a client like that anyway?

Space is very limited so here’s how it’s gonna have to work :

Entry will be by advance reservation only on a first come basis. Send an RSVP with your full name to info@swipe.com and we will reply with your personal ticket. You’ll absolutely need this ticket to get in the night of the event. And if you find that you are unable to come please send a quick e-mail so we can make space for someone else. OK, so now we can reveal the date:

Friday May 1st, 2009 from 7pm to 10pm at Swipe.

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UNFORTUNATELY, NO ONE WILL BE ADMITTED WITHOUT A TICKET AND WITHOUT HAVING REGISTERED IN ADVANCE. Our sincere apologies in advance to everyone who doesn’t find out soon enough to get a ticket – we’re just a small store with a big guest.

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Think Small. We Try Harder. Absolut Whatever. And Now Even More Dogshit in the Main Entrance. KesselsKramer’s ongoing marketing campaign for Hans Brinker Budget Hotel in Amsterdam is genuinely epochal. So Millennial even the irony is ironic: the Worst Hotel in the World really is the worst hotel in the world. Erik Kessels and longtime Brinker manager Rob Penris share the sort of client / designer affinity that most designers wait in vain for their entire careers.

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The Worst Hotel in the World: the Hans Brinker Budget Hotel Amsterdam
? 2009: Erik Kessels & KesselsKramer

Designed by KesselsKramer, this 280 page retrospective includes every advertisement and promotional item created for the hotel over some 15 years. Daring, confrontational, and occasionally just plain offensive – and spectacularly successful at connecting with a notoriously fickle target market. (2009: Booth Clibborn Editions; ISBN 9781861543110)

$45.95

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