<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Swipe Books on Advertising and Design</title>
	<atom:link href="http://www.swipe.com/?feed=rss2" rel="self" type="application/rss+xml" />
	<link>http://www.swipe.com</link>
	<description>Offering Canada's largest selection of design books along with a curious selection of well-designed products.</description>
	<lastBuildDate>Tue, 03 Aug 2010 13:25:11 +0000</lastBuildDate>
	<generator>http://wordpress.org/?v=2.9.2</generator>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
			<item>
		<title>Doors Open Opening!</title>
		<link>http://www.swipe.com/?p=3258</link>
		<comments>http://www.swipe.com/?p=3258#comments</comments>
		<pubDate>Mon, 17 May 2010 18:12:39 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Architecture]]></category>
		<category><![CDATA[Architecture Links]]></category>
		<category><![CDATA[Built Books on Architecture & I.D.]]></category>
		<category><![CDATA[Canadian Architecture & I.D.]]></category>
		<category><![CDATA[Exhibits & Events]]></category>
		<category><![CDATA[Landscape Architecture]]></category>
		<category><![CDATA[Socially Responsible Architecture & I.D.]]></category>
		<category><![CDATA[Urban Issues]]></category>

		<guid isPermaLink="false">http://www.swipe.com/?p=3258</guid>
		<description><![CDATA[
Tim Fraser for National Post
Swipe and BUILT are pleased to announce that we will be hosting Margaret and Phil Goodfellow, authors of the newly released Guide to Contemporary Architecture in Toronto, as they meet the public and answer questions about Toronto&#8217;s architectural renaissance on the opening day of Doors Open, Saturday May 29th, in the [...]]]></description>
			<content:encoded><![CDATA[<p><span style="color: #00a0c6;"><img class="alignnone size-full wp-image-3331" title="Goodfellows" src="http://www.swipe.com/wp-content/uploads/2010/05/Goodfellows.jpg" alt="" width="333" height="224" /></span><a href="http://www.swipe.com/wp-content/uploads/2010/05/Goodfellows.jpg"><img title="spacer" src="../wp-content/uploads/2009/02/spacer.jpg" alt="spacer" width="26" height="24" /></a><img title="GuideContemporaryArchitecture" src="../wp-content/uploads/2010/05/GuideContemporaryArchitecture.jpg" alt="" width="158" height="224" /><br />
<span style="color: #888888;"><em>Tim Fraser for National Post</em></span></p>
<h3>Swipe and BUILT are pleased to announce that we will be hosting Margaret and Phil Goodfellow, authors of the newly released <em>Guide to Contemporary Architecture in Toronto</em>, as they meet the public and answer questions about Toronto&#8217;s architectural renaissance on the opening day of Doors Open, Saturday May 29th, in the lobby lounge of 401 Richmond Street West from 2 pm to 3:30 pm. Please join us!</h3>
<h3 style="text-align: center;">________________________</h3>
<p><span style="color: #ffffff;">.</span><br />
With <a href="http://wx.toronto.ca/inter/culture/doorsopen2010.nsf/BuildingsAll?OpenView" target="_blank">Doors Open  Toronto 2010</a> just around the corner, we  here at Swipe and BUILT are  more thankful than ever to be part of the  extraordinary arts and culture complex  at <a href="http://wx.toronto.ca/inter/culture/doorsopen2010.nsf/c6aa5b41200ea1758525720d004c5e96/f566ef5de1feb4b6852576cc005c106a?OpenDocument" target="_blank">401 Richmond Street West</a>. A prime destination   during the festival, 401 is expecting several thousand visitors over the   weekend of May 29th and 30th. Accordingly, Swipe and Built will be  open Saturday from 10 am to 6 pm, and Sunday from 10 am to 5 pm.</p>
<p><a href="http://wx.toronto.ca/inter/culture/doorsopen2010.nsf/BuildingsAll?OpenView" target="_blank"><img class="alignnone size-full wp-image-3261" title="DoorsOpen2010" src="http://www.swipe.com/wp-content/uploads/2010/05/DoorsOpen2010-e1273843045671.jpg" alt="" width="509" height="492" /></a></p>
<p style="text-align: left;">In celebration of this celebration of our city&#8217;s cultural, social and  architectural heritage, BUILT offers a selection of Torontoniana published since <a href="http://www.swipe.com/?p=1329" target="_blank">last year&#8217;s post</a>, beginning with a tremendously significant new release that documents one of the most exciting moments in Toronto&#8217;s long architectural history. That moment is, you may have guessed, right now.</p>
<p style="text-align: left;"><img class="size-full wp-image-3265 alignnone" title="GuideContemporaryArchitecture" src="http://www.swipe.com/wp-content/uploads/2010/05/GuideContemporaryArchitecture.jpg" alt="" width="158" height="224" /><img title="spacer" src="../wp-content/uploads/2009/02/spacer.jpg" alt="spacer" width="26" height="24" /><img class="size-full wp-image-3266 alignnone" style="border: 1px solid black;" title="ContempArchInside1" src="http://www.swipe.com/wp-content/uploads/2010/05/ContempArchInside1.jpg" alt="" width="325" height="224" /></p>
<p><strong>A Guidebook to Contemporary Architecture in Toronto</strong><br />
✍ 2010: Margaret and Phil Goodfellow <img title="cdnmapleleaf" src="http://www.swipe.com/wp-content/uploads/2009/06/cdnmapleleaf.jpg" alt="cdnmapleleaf" width="15" height="13" /></p>
<p>The past two decades have seen an explosion of building in our city, and while from an urban-planning perspective much of this development might be viewed with suspicion, from a purely aesthetic perspective, many of these buildings are thoughtful, challenging and truly beautiful. Authored by <a href="http://www.torontosocietyofarchitects.ca/" target="_blank">Toronto Society of Architects</a> stalwarts Margaret and Phil Goodfellow, this up-to-the-minute guide documents sixty projects completed between 1992 and 2010 that form the core of this Toronto architectural renaissance. Organized by neighbourhood, this pocket-sized guide is equally delightful whether readers choose to hit the streets or do their site-seeing from an armchair. <em>(2010: Douglas &amp; McIntyre; ISBN 9781553654445)</em></p>
<p>$24.95</p>
<p><em>Please join us as we host Margaret and Phil on the opening day of Doors Open, Saturday May 29th in the lobby lounge at 401 Richmond Street West at 2 pm. In the meantime, listen to an interview with Phil by Peter Stock of CIUT 89.5 FM:</em></p>
<p style="text-align: left;"><img title="spacer" src="http://www.swipe.com/wp-content/uploads/2009/02/spacer.jpg" alt="spacer" width="43" height="43" /><img class="alignnone size-full wp-image-3287" style="border: 1px solid black;" title="EdibleToronto" src="http://www.swipe.com/wp-content/uploads/2010/05/EdibleToronto.jpg" alt="" width="130" height="210" /><img class="alignnone" title="historicalatlastoronto" src="http://www.swipe.com/wp-content/uploads/2009/05/historicalatlastoronto.jpg" alt="historicalatlastoronto" width="260" height="260" /></p>
<p style="text-align: left;"><img class="alignnone size-full wp-image-3286" style="border: 1px solid black;" title="HTO" src="http://www.swipe.com/wp-content/uploads/2010/05/HTO.jpg" alt="" width="135" height="210" /><img title="shapesuburbs" src="http://www.swipe.com/wp-content/uploads/2009/05/shapesuburbs.jpg" alt="shapesuburbs" width="210" height="210" /><img class="alignnone size-full wp-image-3280" style="border: 1px solid black;" title="Stroll" src="http://www.swipe.com/wp-content/uploads/2010/05/Stroll.jpg" alt="" width="123" height="210" /></p>
<p><strong>The Edible City: Toronto&#8217;s Food from Farm to Fork</strong><br />
✍ 2009: Alana Wilcox &amp; Christina Palassio, editors   <img title="cdnmapleleaf" src="http://www.swipe.com/wp-content/uploads/2009/06/cdnmapleleaf.jpg" alt="cdnmapleleaf" width="15" height="13" /></p>
<p>New from the <em>uTOpia</em> team, the 40 essays in <em>Edible City</em> examine all aspects of the way that Torontonians feed themselves, from fancy restaurant to urban slaughterhouse, from disappearing farmland to balcony container garden. <em>(2009: </em><em><a href="http://www.chbooks.com/" target="_blank">Coach House Books</a></em><em>; ISBN </em>1552452190<em>)</em></p>
<p><strong>HTO: Toronto&#8217;s Water from Lake Iroquois to Lost Rivers to Low-flow Toilets</strong><br />
✍ 2008: <a href="http://www.chbooks.com/biographies/christina-palassio" target="_blank">Christina  Palassio</a> &amp; <a href="http://www.chbooks.com/biographies/wayne-reeves" target="_blank">Wayne Reeves</a>, editors  <img title="cdnmapleleaf" src="http://www.swipe.com/wp-content/uploads/2009/06/cdnmapleleaf.jpg" alt="cdnmapleleaf" width="15" height="13" /></p>
<p>With its harbour and sprawling lakeshore, two major river systems with a network of ravines and creeks, and a massive sewer and water-supply system, Toronto is a city of waterways. This fourth volume in the influential <em>uTOpia</em> series explores the city&#8217;s relationship with water, both in the landscape and in our domestic and industrial lives. <em>(2008: Coach House Books; ISBN 9781552451946)</em></p>
<p><strong>Historical  Atlas of Toronto, </strong><strong>paperback</strong><br />
✍ 2009: Derek Hayes <img title="cdnmapleleaf" src="http://www.swipe.com/wp-content/uploads/2009/06/cdnmapleleaf.jpg" alt="cdnmapleleaf" width="15" height="13" /></p>
<p>In this new  addition to the acclaimed series, geographer Derek Hayes charts Toronto’s  history, presenting more than 200 period maps that together provide a unique visual record  of the city’s development. <em>(2008: Douglas &amp; McIntyre Ltd; ISBN</em> 9781553654971<em>)</em></p>
<p><strong>The Shape  of the Suburbs: Understanding Toronto&#8217;s Sprawl</strong><br />
✍ 2009: <a href="http://www.johnsewell.com/index.html" target="_blank">John Sewell</a> <img title="cdnmapleleaf" src="http://www.swipe.com/wp-content/uploads/2009/06/cdnmapleleaf.jpg" alt="cdnmapleleaf" width="15" height="13" /></p>
<p>A meticulous  and thoughtful account of how Toronto became &#8216;Greater&#8217;  Toronto,  expanding on the author&#8217;s classic study <em>The Shape of the  City</em>. John Sewell includes  anecdotes on the origin and purpose of Toronto&#8217;s  expressway  system, the economic and political history of infrastructure  in the 905,  and the unlikely connection between the QEW and Adolph  Hitler. <em>(2009: University of  Toronto Press; ISBN  9780802095879)</em></p>
<p><strong>Stroll: Psychogeographic Walking Tours of Toronto</strong><br />
✍ 2010: <a href="http://www.chbooks.com/biographies/shawn-micallef" target="_blank">Shawn Micallef</a> &amp; <a href="http://www.marlenazuber.com" target="_blank">Marlena Zuber</a> <a href="http://www.marlenazuber.com" target="_blank"><img title="cdnmapleleaf" src="http://www.swipe.com/wp-content/uploads/2009/06/cdnmapleleaf.jpg" alt="cdnmapleleaf" width="15" height="13" /> </a></p>
<p>Shawn Micallef, <a href="http://www.eyeweekly.com/city/psychogeography/article/92396" target="_blank"><em>Eye</em> columnist</a>, senior editor at <a href="http://www.spacing.ca/" target="_blank"><em>Spacing</em></a> and a co-founder of the <a href="http://www.murmurtoronto.ca/" target="_blank">[murmur]</a> project, explores Toronto’s buildings and streetscapes as dynamic cultural entities, examining not only their structure and purpose but also the ways they are used and experienced by the people who inhabit them. The thirty-two featured walks, guided by hand-drawn maps from illustrator Marlena Zuber, invite the reader to experience the city at a pace that celebrates the details as well as the grand vision.<em> (2010: Coach House Books;   ISBN </em>1552452263<em>)</em></p>
<p>The Edible City: Toronto&#8217;s Food from Farm to Fork: $24.95<br />
HTO: Toronto&#8217;s Water from Lake Iroquois to Lost Rivers to Low-flow Toilets: $24.95<br />
Historical Atlas of Toronto: $34.95<br />
The Shape  of the Suburbs: Understanding Toronto&#8217;s Sprawl: $24.95<br />
Stroll: Psychogeographic Walking Tours of Toronto: $24.95</p>
<p style="text-align: center;">_________________________________</p>
<p>To purchase any of the products or titles mentioned here, please  visit our downtown Toronto location, call us toll-free at 1-800-56-swipe  or e-mail us at: <a href="mailto:info@swipe.com">info@swipe.com</a>.</p>
]]></content:encoded>
			<wfw:commentRss>http://www.swipe.com/?feed=rss2&amp;p=3258</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Jane&#8217;s Walk and Jane&#8217;s Legacy</title>
		<link>http://www.swipe.com/?p=3228</link>
		<comments>http://www.swipe.com/?p=3228#comments</comments>
		<pubDate>Tue, 27 Apr 2010 21:04:24 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Architecture Links]]></category>
		<category><![CDATA[Built Books on Architecture & I.D.]]></category>
		<category><![CDATA[Exhibits & Events]]></category>
		<category><![CDATA[Landscape Architecture]]></category>
		<category><![CDATA[Urban Issues]]></category>

		<guid isPermaLink="false">http://www.swipe.com/?p=3228</guid>
		<description><![CDATA[
What We See: Advancing the Observations of Jane Jacobs
✍ 2010: Stephen A. Goldsmith &#38; Lynne Elizabeth
To coincide with the annual Jane’s Walk series of free neighbourhood walking tours, Built and Swipe have, by an exclusive arrangement, received advanced copies of this timely revisitation of the ideas and work of urban-activist Jane Jacobs. Heeding Jacobs&#8217; collaborative [...]]]></description>
			<content:encoded><![CDATA[<p style="text-align: center;"><img class="size-full wp-image-3230 aligncenter" title="WhatWeSee" src="http://www.swipe.com/wp-content/uploads/2010/04/WhatWeSee.jpg" alt="" width="229" height="342" /></p>
<p><strong>What We See: Advancing the Observations of Jane Jacobs</strong><br />
✍ 2010: Stephen A. Goldsmith &amp; Lynne Elizabeth</p>
<p>To coincide with the annual <a href="http://janeswalk.net/" target="_blank">Jane’s Walk</a> series of free neighbourhood walking tours, Built and Swipe have, by an exclusive arrangement, received advanced copies of this timely revisitation of the ideas and work of urban-activist Jane Jacobs. Heeding Jacobs&#8217; collaborative  approach to city and community building, <em>What We See</em> presents the personal and professional  observations of thirty practitioners across the  fields of economics, social activism and urban planning as they seek to refresh Jacobs&#8217;  theories  for the present day. The resulting collection of original essays offers the generalist, the activist and the urban planner practical  examples of the benefits of community  participation, pedestrianism, diversity, environmental responsibility  and self-sufficiency. <em>(2010: New Village Press; ISBN 9780981559315)</em></p>
<p>$32.95</p>
<p>One Jane&#8217;s Walk in particular, <a href="http://janeswalk.net/walks/view/king-spadina_one_of_the_two_kings/" target="_blank">King-Spadina: One of ‘The Two Kings&#8217;</a>, guided by Paul Bedford and Margie Zeidler (Saturday, May 1, 2010 at 10:00 am), quite conveniently, passed right by Swipe Books at 401 Richmond Street West, where copies of <em>What We See</em> were available for purchase. And, of course, always on offer are works by Jane Jacobs herself, a range of interesting titles directly related to Jacobs&#8217; legacy, and an unrivaled selection of books and journals on urban issues and architecture in general.</p>
<p style="text-align: center;">_________________________________</p>
<p>To purchase  any of the products or titles mentioned here, please visit our downtown  Toronto location, call us toll-free at 1-800-56-swipe or e-mail us at: <a href="mailto:info@swipe.com">info@swipe.com</a>.</p>
]]></content:encoded>
			<wfw:commentRss>http://www.swipe.com/?feed=rss2&amp;p=3228</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Sketches of Spain: El Croquis</title>
		<link>http://www.swipe.com/?p=1816</link>
		<comments>http://www.swipe.com/?p=1816#comments</comments>
		<pubDate>Fri, 26 Feb 2010 20:08:55 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Architecture]]></category>
		<category><![CDATA[Architecture / Urbanism Magazines]]></category>
		<category><![CDATA[Built Books on Architecture & I.D.]]></category>
		<category><![CDATA[Urban Issues]]></category>

		<guid isPermaLink="false">http://www.swipe.com/?p=1816</guid>
		<description><![CDATA[

We have just received a pair of new issues of the beautiful El Croquis from Madrid.
El Croquis 147 – Toyo Ito, 2005 &#8211; 2009
El Croquis 148 – Collective Experiments

✍ 1982 (2010): Fernando Márquez Cecilia &#38; Richard Levene
Founded in 1982, El Croquis (‘the Sketch’ in Spanish) is consistently the most beautiful architectural periodical published anywhere in [...]]]></description>
			<content:encoded><![CDATA[<p style="text-align: center;">
<p style="text-align: center;"><img class="alignnone size-medium wp-image-3223" title="ElCroquis148CollectiveExperiments" src="http://www.swipe.com/wp-content/uploads/2010/02/ElCroquis148CollectiveExperiments-212x300.jpg" alt="" width="212" height="300" /><img title="spacer" src="../wp-content/uploads/2009/02/spacer.jpg" alt="spacer" width="34" height="100" /><img class="size-medium wp-image-3201 alignnone" title="ELCroquisToyoIto" src="http://www.swipe.com/wp-content/uploads/2009/07/ELCroquisToyoIto-211x300.jpg" alt="" width="211" height="300" /><em><br />
We have just received a pair of new issues of the beautiful El Croquis from Madrid.</em></p>
<p><strong>El Croquis 147 – Toyo Ito, 2005 &#8211; 2009</strong></p>
<p><strong>El Croquis 148 – Collective Experiments<br />
</strong></p>
<p>✍ 1982 (2010): Fernando Márquez Cecilia &amp; Richard Levene</p>
<p>Founded in 1982, <a href="http://www.elcroquis.es/Home.aspx?lang=en" target="_blank">El Croquis</a> (‘the Sketch’ in Spanish) is consistently the most beautiful architectural periodical published anywhere in the world. With editorial in both Spanish and English, El Croquis examines the work of the world&#8217;s notable architects in an ongoing series of beautifully designed, bimonthly hardcover monographs. Unique to the publication is the comprehensive manner in which each architect&#8217;s projects are documented, with plans, sketches, and insights into all aspects of the design process. It is this level of detail, coupled with Hisao Suzuki&#8217;s gorgeous photography, that has made El Croquis BUILT&#8217;s most requested publication – despite the somewhat painful price.</p>
<p>In addition to the current issue, we will be stocking some of El Croquis&#8217; most popular back issues including those on <a title="The Office of Metropolitain Architecture" href="http://www.oma.nl/" target="_blank">Rem Koolhaas and OMA</a>, <a title="Herzog &amp; de Meuron at archINFORM" href="http://eng.archinform.net/arch/291.htm" target="_blank">Herzog &amp; de Meuron</a>, <a title="Steven Holl Architects" href="http://www.stevenholl.com" target="_blank">Steven Holl</a>, and <a title="Tadao Ando at archINFORM" href="http://eng.archinform.net/arch/474.htm" target="_blank">Tadao Ando</a>.</p>
<h2><img title="spacer" src="../wp-content/uploads/2009/02/spacer.jpg" alt="spacer" width="34" height="100" /><img class="size-medium wp-image-3208 alignnone" style="border: 1px solid black;" title="ElCroquisSoutoDeMoura" src="http://www.swipe.com/wp-content/uploads/2009/07/ElCroquisSoutoDeMoura-211x300.jpg" alt="" width="212" height="300" /><img title="spacer" src="../wp-content/uploads/2009/02/spacer.jpg" alt="spacer" width="34" height="100" /><img class="alignnone size-medium wp-image-3209" style="border: 1px solid black;" title="ElCroquisEMBT" src="http://www.swipe.com/wp-content/uploads/2010/02/ElCroquisEMBT-212x300.jpg" alt="" width="211" height="300" /></h2>
<h2><img title="spacer" src="../wp-content/uploads/2009/02/spacer.jpg" alt="spacer" width="34" height="100" /><img class="alignnone size-medium wp-image-3209" title="ElCroquisChristianKerez" src="http://www.swipe.com/wp-content/uploads/2010/02/ElCroquisChristianKerez-211x300.jpg" alt="" width="211" height="300" /><img title="spacer" src="../wp-content/uploads/2009/02/spacer.jpg" alt="spacer" width="34" height="100" /><img class="size-medium wp-image-1833 alignnone" title="134_135" src="http://www.swipe.com/wp-content/uploads/2009/06/134_135-211x300.jpg" alt="134_135" width="211" height="300" /></h2>
<h2><img class="alignnone size-full wp-image-188" title="spacer" src="http://www.swipe.com/wp-content/uploads/2009/02/spacer.jpg" alt="spacer" width="34" height="100" /><img class="alignnone size-medium wp-image-1840" src="http://www.swipe.com/wp-content/uploads/2009/06/reed_sanaa-209x300.jpg" alt="reed_sanaa" width="209" height="300" /><img class="alignnone size-full wp-image-188" title="spacer" src="http://www.swipe.com/wp-content/uploads/2009/02/spacer.jpg" alt="spacer" width="34" height="100" /><img class="alignnone size-medium wp-image-1841" src="http://www.swipe.com/wp-content/uploads/2009/06/129_130-211x300.jpg" alt="" width="211" height="300" /></h2>
<h2><img class="alignnone size-full wp-image-188" title="spacer" src="http://www.swipe.com/wp-content/uploads/2009/02/spacer.jpg" alt="spacer" width="34" height="100" /><img class="alignnone size-medium wp-image-1842" src="http://www.swipe.com/wp-content/uploads/2009/06/141-211x300.jpg" alt="" width="211" height="300" /><img class="alignnone size-full wp-image-188" title="spacer" src="http://www.swipe.com/wp-content/uploads/2009/02/spacer.jpg" alt="spacer" width="34" height="100" /><img class="alignnone size-medium wp-image-1844" src="http://www.swipe.com/wp-content/uploads/2009/06/reed_ando1-211x300.jpg" alt="reed_ando1" width="211" height="300" /></h2>
<p>El Croquis 20/64/98 – Rafael Moneo, 1967 &#8211; 2004: $219.95<br />
El Croquis 44/58 – Tadao Ando, 1983 &#8211; 2000: $149.95<br />
El Croquis 52/73/103 – Zaha Hadid, 1983 &#8211; 2004: $179.95<br />
El Croquis 78/93/108 – Steven Holl, 1986 &#8211; 2003: $179.95<br />
El Croquis 86/111 – MVRDV, 1991 &#8211; 2002: $149.95<br />
El Croquis 87/120 – David Chipperfield, 1991 &#8211; 2006: $179.95<br />
El Croquis 109/110 – Herzog &amp; de Meuron, 1997 &#8211; 2002: $129.95<br />
El Croquis 123 – Toyo Ito, 2001- 2005: $99.95<br />
El Croquis 129/130 – Herzog &amp; de Meuron, 2000 &#8211; 2006: $129.95<br />
El Croquis 131/132 – OMA/Rem Koolhaas Volume 1: $149.95<br />
El Croquis 134/135 – OMA/Rem Koolhaas Volume II: $149.95<br />
El Croquis 139 – SANAA/Sejima Nishizawa, 2004 &#8211; 2007: $129.95<br />
El Croquis 141 – Steven Holl Architects: $99.95<br />
El Croquis 143 –  Gigon / Guyer, 2001 &#8211; 2008: $99.95<br />
El Croquis 144 – EMBT Enrique Miralles / Benedetta Tagliabue, 2000-2009: $99.95<br />
El Croquis 145 – Christian Kerez, 2000-2009: $99.95<br />
El Croquis 146 – Souto De Moura, 2005-2009: $99.95<br />
El Croquis 147 – Toyo Ito, 2005-2009: $99.95<br />
El Croquis 148 – Collective Experiments: $99.95<br />
<em> </em></p>
<p style="text-align: center;">_________________________________</p>
<p style="text-align: left;">To purchase any of the products or titles mentioned here, please visit our downtown Toronto location, call us toll-free at 1-800-56-swipe or e-mail us at: <a href="mailto:info@swipe.com">info@swipe.com</a>.</p>
]]></content:encoded>
			<wfw:commentRss>http://www.swipe.com/?feed=rss2&amp;p=1816</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>2G : International Architecture Review from Barcelona (As Opposed to 2G, Gary Glitter&#8217;s Third Studio Album)</title>
		<link>http://www.swipe.com/?p=2060</link>
		<comments>http://www.swipe.com/?p=2060#comments</comments>
		<pubDate>Thu, 25 Feb 2010 05:56:06 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Architecture]]></category>
		<category><![CDATA[Architecture / Urbanism Magazines]]></category>
		<category><![CDATA[Built Books on Architecture & I.D.]]></category>
		<category><![CDATA[Japanese Architecture & I.D.]]></category>
		<category><![CDATA[Magazines]]></category>
		<category><![CDATA[Urban Issues]]></category>

		<guid isPermaLink="false">http://www.swipe.com/?p=2060</guid>
		<description><![CDATA[Launched in 1997, 2G International Architecture Review, from Barcelona-based Editorial Gustavo Gili, has, in the short time since its introduction, become the most respected chronicle of contemporary architecture. Each issue is divided into three sections. The first two offer a critical examination of the work of a single architect, beginning with an introductory essay by [...]]]></description>
			<content:encoded><![CDATA[<p>Launched in 1997, <em><a href="http://www.ggili.com/2G.cfm">2G</a> International Architecture Review</em><em>,</em> from Barcelona-based <a href="http://www.ggili.com/">Editorial Gustavo Gili</a>, has, in the short time since its introduction, become the most respected chronicle of contemporary architecture. Each issue is divided into three sections. The first two offer a critical examination of the work of a single architect, beginning with an introductory essay by renowned critics and colleagues, and followed by an in-depth presentation of 10 to 15 representative projects documented with full-page photographs and detailed plans and elevations. The final section, called <em>Nexus</em>, provides the featured architect an opportunity to write about their own work and to present their ideas as they see fit. Thus, <em>2G</em> offers a unique opportunity to contrast the architect&#8217;s stated intent with critical  interpretations of their work.</p>
<p><img class="alignnone size-full wp-image-3216" style="border: 1px solid black;" title="2G52" src="http://www.swipe.com/wp-content/uploads/2009/11/2G52.jpg" alt="" width="164" height="217" /><img title="spacer" src="../wp-content/uploads/2009/02/spacer.jpg" alt="spacer" width="14" height="14" /><img class="alignnone size-full wp-image-3217" style="border: 1px solid black;" title="2g52Page1" src="http://www.swipe.com/wp-content/uploads/2009/11/2g52Page1.jpg" alt="" width="164" height="217" /><img title="spacer" src="../wp-content/uploads/2009/02/spacer.jpg" alt="spacer" width="14" height="14" /><img class="alignnone size-full wp-image-3218" style="border: 1px solid black;" title="2G52Page2" src="http://www.swipe.com/wp-content/uploads/2009/11/2G52Page2.jpg" alt="" width="164" height="217" /></p>
<p><strong>2G #52: Sauerbruch Hutton</strong><br />
✍ 2010: Barry Bergdoll, Louisa Hutton, Matthias Sauerbruch &amp; Philip Ursprung</p>
<p>Dividing their time between London and Berlin, <a href="http://www.sauerbruchhutton.de/" target="_blank">Matthias Sauerbruch and Louisa Hutton</a> are known for a practice that eschews the straight line and a muted palette, designing curvaceous buildings with bold, bright colours. <em>(2010: Editorial Gustavo Gili; ISBN 9788425223365</em><em>)</em></p>
<p>$59.95</p>
<p style="text-align: left;"><img style="border: 1px solid black;" title="2gmgm" src="../wp-content/uploads/2009/07/2gmgm-228x300.jpg" alt="2gmgm" width="164" height="217" /><img title="spacer" src="../wp-content/uploads/2009/02/spacer.jpg" alt="spacer" width="14" height="14" /> <img style="border: 1px solid black;" title="9788425222931_04_m" src="../wp-content/uploads/2009/07/9788425222931_04_m.jpg" alt="9788425222931_04_m" width="164" height="217" /><img title="spacer" src="../wp-content/uploads/2009/02/spacer.jpg" alt="spacer" width="17" height="18" /><img style="border: 1px solid black;" title="9788425221880_04_m" src="../wp-content/uploads/2009/07/9788425221880_04_m.jpg" alt="9788425221880_04_m" width="164" height="217" /></p>
<p style="text-align: left;"><strong>2G #51: MGM Morales Giles Mariscal</strong><br />
✍ 2009: Laurent Beaudouin, Sara de Giles, Jose Morales &amp; Carlos Muro</p>
<p style="text-align: left;">This issue examines the work of another iconoclastic regional practice: in this case the Sevillean studio <a href="http://www.morales-giles-mariscal.com/home.html" target="_blank">MGM Arquitectos</a>. In both their high-density residential projects and public buildings, MGM infuses a distinctly contemporary architecture with the traditional interplay of interior and exterior space typical of Andalusian architecture. <em>(2009: Editorial Gustavo Gili; ISBN 9788425223143)</em></p>
<p style="text-align: left;">$59.95</p>
<p style="text-align: left;"><strong>2G #50: Sou Fujimoto</strong><br />
✍ 2009: Toyo Ito &amp; Julian Worrall</p>
<p style="text-align: left;"><a href="http://www.sou-fujimoto.com/Top/index.htm">Sou Fujimoto</a> is the most representative practitioner of a distinctively Japanese style in contemporary architecture which incorporates traditional Japanese attitudes toward nature and the relationship between interior and exterior space. Fujimoto is one of the youngest architects to be profiled in <em>2G</em>, and his work has been restricted primarily to smaller residential projects and a variety of conceptual exercises. The issue features a critical assessment by renowned Japanese architect Toyo Ito, in many ways Fujimoto&#8217;s conceptual antecedent. <em>(2009: Editorial Gustavo Gili; ISBN 9788425222931)</em></p>
<p style="text-align: left;">$59.95</p>
<p style="text-align: left;"><strong>2G #48–49: Mies van der Rohe : Houses</strong><br />
✍ 2009: Beatriz Colomina, Moises  Puente &amp; Hans  Christian</p>
<p style="text-align: left;">This double issue focuses an aspect of Mies&#8217; body of work that, up to now, has been poorly documented. All of Mies&#8217; single-family dwellings, in both Germany and the United States, are examined in new commissioned photos from <a href="http://www.hc-schink.de/index_e.html" target="_blank">Hans-Christian Schink</a>, along with the original drawings and other archival material. Essays by Beatriz Colomina and Moises Puente provide critical context and a special section catalogues the known unbuilt residential projects. <em>(2009: Editorial Gustavo Gili; ISBN 9788425221880)</em></p>
<p style="text-align: left;">$129.95</p>
<p style="text-align: center;">_________________________________</p>
<p style="text-align: left;">To purchase any of the products or titles mentioned here, please visit our downtown Toronto location, call us toll-free at 1-800-56-swipe or e-mail us at: <a href="mailto:info@swipe.com">info@swipe.com</a>.</p>
]]></content:encoded>
			<wfw:commentRss>http://www.swipe.com/?feed=rss2&amp;p=2060</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Typographic Grid: Essential Framework or Elegant Prison?</title>
		<link>http://www.swipe.com/?p=3061</link>
		<comments>http://www.swipe.com/?p=3061#comments</comments>
		<pubDate>Wed, 24 Feb 2010 17:15:36 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Book Design]]></category>
		<category><![CDATA[Books on Communication Design]]></category>
		<category><![CDATA[Design Theory]]></category>
		<category><![CDATA[Graphic Design]]></category>
		<category><![CDATA[Poster Design]]></category>
		<category><![CDATA[Publication Design]]></category>
		<category><![CDATA[Typography]]></category>

		<guid isPermaLink="false">http://www.swipe.com/?p=3061</guid>
		<description><![CDATA[The layout grid, in its modern conception, has its origins with a group of Swiss graphic designers and educators working in the early postwar era. Ironically, while the grid was intended to create a modern system of layout flexible enough to accommodate type and image together, and to organize more complex textual hierarchies, it is [...]]]></description>
			<content:encoded><![CDATA[<p>The layout grid, in its modern conception, has its origins with a group of Swiss graphic designers and educators working in the early postwar era. Ironically, while the grid was intended to create a modern system of layout flexible enough to accommodate type and image together, and to organize more complex textual hierarchies, it is firmly grounded in the structure and limitations of metal type composition. It could be argued that the enduring success of the &#8216;International Typographic Style&#8217;, as the methods of the Zürich and Basel Schools came to be known, has as much to do with the conventionalized visual vocabulary the typographic grid has imposed on Twentieth-Century publication design as with any inherent superiority of the approach.</p>
<p>In common with another mainstay of the International Typographic Style, the typeface Helvetica, the popularity of the grid approach has followed something of a typical pendulum motion, wherein a once-revolutionary idea becomes mainstream, spawns a backlash, only to be rediscovered by a new generation and readopted with uncritical reverence. For anyone who has been working as a graphic designer for more than a decade, the grid carries unfortunate associations with corporate culture – the graphic equivalent to the ubiquitous office cubicle. And as such, the sight of a psychedelic rave poster that appears to have been designed by Max Bill is simultaneously amusing and vaguely disturbing.</p>
<p><img class="alignnone size-medium wp-image-3102" title="GridSystems" src="http://www.swipe.com/wp-content/uploads/2010/02/GridSystems-241x300.jpg" alt="" width="241" height="300" /><img class="alignnone size-full wp-image-3105" title="TypographicGrid" src="http://www.swipe.com/wp-content/uploads/2010/02/TypographicGrid.jpg" alt="" width="298" height="214" /></p>
<p><strong>Grid Systems in Graphic Design / Raster Systeme für die Visuele Gestaltung, 4th Edition</strong><br />
✍ 1961 (1996): Josef Müller-Brockmann</p>
<p>Originally published in 1961, this seminal work on the subject, by the renowned Swiss graphic designer and professor at the Kunstgewerbeschule in Zürich, covers the process of grid development and the application of grids in modern publication design. A <em>Bibliographic 100</em> title. <em>(1996: Verlag Niggli; ISBN 9783721201451)</em></p>
<p>$99.95</p>
<p><strong>The Typographic Grid</strong><br />
✍ 2000: Hans Rudolf Bosshard</p>
<p>Published in 2000, also by Swiss publisher Verlag Niggli, Brosshard&#8217;s sophisticated treatment can be considered a follow-up to Josef Müller-Brockmann&#8217;s <em>Grid Systems</em> and is, in many ways, the (obsessive compulsive) last word on the subject. Bosshard, also a professor at the Kunstgewerbeschule and a contemporary of Müller-Brockmann, looks at increasingly complex grids, discusses the limits of the system, and analyses a variety of salient examples from the International Style cannon. <em>(2000: Verlag Niggli; ISBN 3721203402)</em></p>
<p>$129.95</p>
<p><img class="alignnone size-medium wp-image-3113" style="border: 1px solid black;" title="TheGrid" src="http://www.swipe.com/wp-content/uploads/2010/02/TheGrid-212x300.jpg" alt="" width="212" height="300" /><img title="spacer" src="../wp-content/uploads/2009/02/spacer.jpg" alt="spacer" width="64" height="64" /><img class="alignnone size-medium wp-image-3116" style="border: 1px solid black;" title="Typographie" src="http://www.swipe.com/wp-content/uploads/2010/02/Typographie-300x300.jpg" alt="" width="260" height="260" /><img src="file:///Users/Swipe/Library/Caches/TemporaryItems/moz-screenshot.png" alt="" /></p>
<p><strong>Typographie: A Manual of Design, 7th Edition</strong><br />
✍ 1967 (2001): Emil Ruder</p>
<p>Originally published in 1967 and now in its sixth edition, this classic textbook of the new typography is based on the curriculum that Ruder developed as head of the departments of typography and graphic design at the Allgemeine Gewerbeschule in Basel (posts subsequently held by Armin Hofmann and Wolfgang Weingart). This edition features an introduction by Ruder&#8217;s like-minded friend Adrian Frutiger.<em> (2001: Verlag Niggli; ISBN 978372120043)</em></p>
<p>$129.95</p>
<p><em>For a thorough look at the origins and influence of Swiss graphic design in the Ruder, Hofmann, Müller-Brockmann era, see: </em>Swiss Graphic Design: The Origins and Growth of an International Style, 1920-1965<em> by Richard Hollis, available, not surprisingly, at Swipe, for $62.95. </em><em>(2006: Yale Art; ISBN 0300106769)</em></p>
<p><strong>The Grid: A Modular System for the Design and Production of Newpapers, Magazines, and Books</strong><br />
✍ 1978: Allen Hurlburt</p>
<p>Published more than 30 years ago, this is the first and most orthodox English-language introduction to the grid as a publication design tool, and has served as the standard (hopelessly overpriced) textbook for several generations of graphic designers. <em>(1978: John Wiley; ISBN 9780471289234)</em></p>
<p>$89.95</p>
<p><img class="size-full wp-image-3125 alignnone" title="DesignerandtheGrid" src="http://www.swipe.com/wp-content/uploads/2010/02/DesignerandtheGrid.jpg" alt="" width="242" height="242" /><img title="spacer" src="../wp-content/uploads/2009/02/spacer.jpg" alt="spacer" width="60" height="60" /><img class="alignnone size-full wp-image-3126" style="border: 1px solid black;" title="MakingandBreakingtheGrid" src="http://www.swipe.com/wp-content/uploads/2010/02/MakingandBreakingtheGrid.jpg" alt="" width="235" height="272" /></p>
<p><strong>Designer and the Grid</strong><br />
✍ 2005: Julia Thrift &amp; Lucienne Roberts</p>
<p>One of the first post-Macintosh reassessments of the grid, <em>The Designer and the Grid</em> examines the work of several leading (at the time) contemporary graphic designers, including Simon Esterson, Vaughan Oliver and Ellen Upton, to explore its renewed relevance in the digital era.<em> (2005: RotoVision; ISBN 2880468140)</em></p>
<p>$41.95</p>
<p><strong>Making and Breaking the Grid: A Graphic Design Layout Workshop</strong><br />
✍ 2005: Timothy Samara</p>
<p>This very popular title uses case studies to explore the potential and limits of grid-based design. Projects are arranged according to function and structure, and the featured designers provide commentary on their rationale and design processes. <em>(2005: Rockport; ISBN 1592531253)</em></p>
<p>$34.95</p>
<p><img class="alignnone size-full wp-image-3127" title="LayoutEssentials" src="http://www.swipe.com/wp-content/uploads/2010/02/LayoutEssentials.jpg" alt="" width="232" height="272" /><img title="spacer" src="../wp-content/uploads/2009/02/spacer.jpg" alt="spacer" width="83" height="83" /><img class="alignnone size-medium wp-image-3135" style="border: 1px solid black;" title="DesignBasicsGrid" src="http://www.swipe.com/wp-content/uploads/2010/02/DesignBasicsGrid-206x300.jpg" alt="" width="165" height="240" /></p>
<p><strong>Layout Essentials: 100 Design Principles for Using Grids</strong><br />
✍ 2009: Beth Tondreau</p>
<p>A relatively simplified introduction to grid layout, this practical guide identifies 100 typographic and layout variables, from typeface selection to optimum leading and optimum measure, that contribute to the success of most grid-based projects. <em>(2009: Rockport Publishers; ISBN 9781592534722)</em></p>
<p>$43.95</p>
<p><strong>Basics Design 07: Grids</strong><br />
✍ 2008: Gavin Ambrose &amp; Paul Harris</p>
<p>An accessible, highly visual introduction, this seventh volume in the admirable <em>Design Basics</em> series focuses on ordering the page or screen through the effective use of the grid. <em>(2008: AVA Publishing; ISBN 9782940373772)</em></p>
<p>$34.95</p>
<p><img class="alignnone size-full wp-image-3142" style="border: 1px solid black;" title="GeometryofDesignElam" src="http://www.swipe.com/wp-content/uploads/2010/02/GeometryofDesignElam.jpg" alt="" width="164" height="198" /><img title="spacer" src="../wp-content/uploads/2009/02/spacer.jpg" alt="spacer" width="20" height="20" /><img class="alignnone size-medium wp-image-3141" title="GridSystemsElam" src="http://www.swipe.com/wp-content/uploads/2010/02/GridSystemsElam-247x300.jpg" alt="" width="164" height="199" /><img title="spacer" src="../wp-content/uploads/2009/02/spacer.jpg" alt="spacer" width="20" height="20" /><img class="alignnone size-medium wp-image-3143" title="TypographicSystems" src="http://www.swipe.com/wp-content/uploads/2010/02/TypographicSystems-246x300.jpg" alt="" width="164" height="200" /></p>
<p><strong>Geometry of Design: Studies in Proportion and Composition</strong><br />
✍ 2001: Kimberly Elam</p>
<p>Using a clever and attractive system of vellum overlays, <em>Geometry of Design</em> illustrates a range of classic and modern proportioning systems and demonstrates their application in modern graphic design, industrial design and architecture. <em>(2001: Princeton Architectural Press; ISBN 1568982496)</em></p>
<p><strong>Grid Systems: Principles of Organizing Type</strong><br />
✍ 2004: Kimberly Elam</p>
<p>With <em>Grid Systems</em>, Elam again uses transparent overlays to make visible the hidden structures of a series of modern graphic layouts. This intuitive form of presentation makes the grid system immediately comprehensible, making this an excellent companion to a more detailed textbook treatment. <em>(2004: Princeton Architectural Press; ISBN 1568984650</em>)</p>
<p><strong>Typographic Systems, Rules for Organizing Type</strong><br />
✍ 2007: Kimberly Elam</p>
<p><em>Typographic Systems</em> goes beyond the Basel School grid to explore a variety of alternative, rule-based, typographic layout systems (i.e., random, radial, modular or bilateral). In common with Elam&#8217;s previous books, this study is disappointingly brief; however, it is currently the only presentation of these ideas that we have to offer and, as such, is essential student reading. <em>(2007: Princeton Architectural Press; ISBN 1568986874)</em></p>
<p><img class="alignnone size-full wp-image-3150" style="border: 1px solid black;" title="GridIndex" src="http://www.swipe.com/wp-content/uploads/2010/02/GridIndex.jpg" alt="" width="215" height="262" /><img title="spacer" src="../wp-content/uploads/2009/02/spacer.jpg" alt="spacer" width="74" height="74" /><img class="alignnone size-full wp-image-3151" title="GridBook" src="http://www.swipe.com/wp-content/uploads/2010/02/GridBook.jpg" alt="" width="190" height="243" /></p>
<p><strong>Grid Index</strong><strong>, Includes CD-Rom</strong><br />
✍ 2009: Carsten Nicolai</p>
<p>Not strictly a &#8216;grid systems&#8217; book, Grid Index attempts to codify the range of possible two-dimensional patterns, from the humble square grid to the most complex irregular and unpredictable lattice. Similar to the out-of-print and highly sought-after Neubau Modul, the book features an accompanying CD-Rom containing all of the catalogued patterns as editable vector graphic files free for use in your own layouts.<em> (2009: Die Gestalten Verlag; ISBN 9783899552416)</em></p>
<p>$74.95</p>
<p><strong>The Grid Book</strong><br />
✍ 2009: Hannah B. Higgins</p>
<p>For those looking to find deeper meaning in the utilitarian grid, Higgins examines the cultural significance of 10 historical antecedents to this Modernist mainstay. This is a highbrow celebration of the best of the square and the repeating: the brick, the tablet, the gridiron city plan, the map, musical notation, the ledger, the screen, moveable type, the manufactured box and the net. <em>(2009: MIT Press; ISBN 9780262512404)</em></p>
<p>$34.95</p>
<p style="text-align: center;">_________________________________</p>
<p style="text-align: left;">To purchase any of the products or titles mentioned here, please visit our downtown Toronto location, call us toll-free at 1-800-56-swipe or e-mail us at: <a href="mailto:info@swipe.com">info@swipe.com</a>.</p>
]]></content:encoded>
			<wfw:commentRss>http://www.swipe.com/?feed=rss2&amp;p=3061</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Because Everyone Knows that the Most Important Piece of Equipment in Any Design Studio is the Coffee Maker</title>
		<link>http://www.swipe.com/?p=3023</link>
		<comments>http://www.swipe.com/?p=3023#comments</comments>
		<pubDate>Fri, 12 Feb 2010 18:30:47 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Coffee]]></category>
		<category><![CDATA[Kitchenwares]]></category>
		<category><![CDATA[Products]]></category>

		<guid isPermaLink="false">http://www.swipe.com/?p=3023</guid>
		<description><![CDATA[
Krups Nescafé Dolce Gusto
✍ 2008: Antoine Cahen &#38; Krups GmbH
Okay, so if you subscribe to Barista Magazine and roast your own green beans, this may not be the machine for you. However, if someone in your studio is taping increasingly threatening notes over the coffee station in the kitchenette (8 1/2&#8243; by 11&#8243; laser printed, all [...]]]></description>
			<content:encoded><![CDATA[<p style="text-align: center;"><a href='http://cache.vendaria.com/vpop/VpopV6.html?ct=13&amp;amp;ctname=&amp;amp;fw=550&amp;amp;fh=400&amp;amp;logo=101&amp;amp;fv=9&amp;amp;ap=vnd_krups_dolce_gusto&amp;amp;fl=gkiJQQjjddegfaFFUQdkaibkbdfVffdVjiVb_other_EN003504000550.swf&amp;amp;purl=MAIN_krups_dolce_gusto&amp;amp;iid=RECpfzvLqvKuKLJKmvIKfwlqIJIIlq&amp;amp;bg=FFFFFF&amp;amp;nm=BZOpener&amp;amp;curl=&amp;amp;err=0&amp;amp;title=Vendaria%20Media&amp;amp;tp=' onClick='return popitup(this.href);' target='_blank'><img class="alignnone size-full wp-image-3024" title="dolcegusto" src="http://www.swipe.com/wp-content/uploads/2010/02/dolcegusto.jpg" alt="dolcegusto" width="432" height="432" /></a><br />
<a href='http://cache.vendaria.com/vpop/VpopV6.html?ct=13&amp;amp;ctname=&amp;amp;fw=550&amp;amp;fh=400&amp;amp;logo=101&amp;amp;fv=9&amp;amp;ap=vnd_krups_dolce_gusto&amp;amp;fl=gkiJQQjjddegfaFFUQdkaibkbdfVffdVjiVb_other_EN003504000550.swf&amp;amp;purl=MAIN_krups_dolce_gusto&amp;amp;iid=RECpfzvLqvKuKLJKmvIKfwlqIJIIlq&amp;amp;bg=FFFFFF&amp;amp;nm=BZOpener&amp;amp;curl=&amp;amp;err=0&amp;amp;title=Vendaria%20Media&amp;amp;tp=' onClick='return popitup(this.href);' target='_blank'>Click the image for a multimedia demonstration</a></p>
<p><strong>Krups Nescafé Dolce Gusto</strong><br />
✍ 2008: Antoine Cahen &amp; Krups GmbH</p>
<p>Okay, so if you subscribe to Barista Magazine and roast your own green beans, this may not be the machine for you. However, if someone in your studio is taping increasingly threatening notes over the coffee station in the kitchenette (8 1/2&#8243; by 11&#8243; laser printed, all caps, lots of exclamation marks &#8230; you know the kind) or your receptionist is threatening to quit next time the whole boardroom asks for extra-foam soy steamers, then we have a suggestion for restoring workplace harmony. Using Nestlé&#8217;s proprietary multi-beverage capsule system, Dolce Gusto produces perfectly passable cappuccinos and lattes, on par with what one is served at the ubiquitous chain latte factories. And, thanks to the magnetic capsule holder, the beverage doesn’t actually come into contact with the machine, meaning virtually no clean-up. Despite its robo-pet styling, the Dolce Gusto is actually a fairly serious machine, with the same 15-bar pump and &#8216;Thermoblock&#8217; on-demand heating system found in Krups&#8217; traditional ground-espresso machines. Capsules containing 100% arabica beans and sterilized milk are available from Swipe in six varieties – caffè americano, cappuccino, latte macchiato, caffè lungo, espresso and chococino – at $8.95 for a carton of 8 capsules.</p>
<p>Starter set including 16 capsules: $219.95</p>
<p><span><a href="http://cache.vendaria.com/vpop/VpopV6.html?ct=13&amp;amp;ctname=&amp;amp;fw=550&amp;amp;fh=400&amp;amp;logo=101&amp;amp;fv=9&amp;amp;ap=vnd_krups_dolce_gusto&amp;amp;fl=gkiJQQjjddegfaFFUQdkaibkbdfVffdVjiVb_other_EN003504000550.swf&amp;amp;purl=MAIN_krups_dolce_gusto&amp;amp;iid=RECpfzvLqvKuKLJKmvIKfwlqIJIIlq&amp;amp;bg=FFFFFF&amp;amp;nm=BZOpener&amp;amp;curl=&amp;amp;err=0&amp;amp;title=Vendaria%20Media&amp;amp;tp=" target="_blank"><br />
</a></span></p>
<p style="text-align: center;"><img class="size-full wp-image-3025 aligncenter" title="krupsxp5240" src="http://www.swipe.com/wp-content/uploads/2010/02/krupsxp5240.jpg" alt="krupsxp5240" width="400" height="400" /></p>
<p><strong>Krups XP 5240 Espresso Machine</strong><br />
✍ 2009: Krups GmbH</p>
<p>The overall styling of this all-stainless machine owes a great deal to Krups&#8217; ongoing collaboration with <a href="http://www.konstantin-grcic.com/" target="_blank">Konstantin Grcic</a>, and to the successful XP5000, launched in 2006. The most striking technical innovation making its debut here is the patented Krups &#8216;Precise Tamp&#8217; system, a ratcheted handle that automatically tamps the cake and adjusts the cup depth for the quantity of coffee used. The handle also features a cake-ejection button, eliminating the need for a forceful (obnoxiously loud, kitchen-counter-denting) knock out. In common with other higher-end Krups machines, the XP 5240 offers a 15-bar pressure pump and the &#8216;Thermoblock&#8217; on-demand water-heating system which eliminates downtime between cups (even if the whole damned boardroom does ask for extra-foam soy steamers).</p>
<p>$299.95</p>
<p><em>Krups coffee accessories also available at Swipe:</em></p>
<p>Krups Fast Touch Coffee and Spice Grinder: $34.95<br />
Krups GVX 2 Burr Coffee Grinder: $112.95</p>
<p style="text-align: center;">_________________________________</p>
<p>To purchase any of the products or titles mentioned here, please visit our downtown Toronto location, call us toll-free at 1-800-56-swipe or e-mail us at: <a href="mailto:info@swipe.com">info@swipe.com</a>.</p>
]]></content:encoded>
			<wfw:commentRss>http://www.swipe.com/?feed=rss2&amp;p=3023</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Why We&#8217;re Here</title>
		<link>http://www.swipe.com/?p=2946</link>
		<comments>http://www.swipe.com/?p=2946#comments</comments>
		<pubDate>Tue, 26 Jan 2010 19:42:14 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Housewares]]></category>
		<category><![CDATA[Italian]]></category>
		<category><![CDATA[Kitchenwares]]></category>
		<category><![CDATA[Products]]></category>

		<guid isPermaLink="false">http://www.swipe.com/?p=2946</guid>
		<description><![CDATA[A young advertising student dropped by the store the other day. Having selected Swipe as the subject for a mock ad campaign he wanted to ask a few questions about the shop, its philosophy and its target market. We obliged, and once again discovered that articulating the shop&#8217;s logic is always a useful exercise. The [...]]]></description>
			<content:encoded><![CDATA[<p><img class="size-full wp-image-2948 floatleft" title="twergipeppermill" src="http://www.swipe.com/wp-content/uploads/2010/01/twergipeppermill.jpg" alt="twergipeppermill" width="190" height="552" />A young advertising student dropped by the store the other day. Having selected Swipe as the subject for a mock ad campaign he wanted to ask a few questions about the shop, its philosophy and its target market. We obliged, and once again discovered that articulating the shop&#8217;s logic is always a useful exercise. The consistent theme throughout the interview was our sense of obligation to the creative community. A somewhat inappropriate counterpoint was a rather childish sense of responsibility to the objects themselves and, to a lesser degree, to their designers. Inappropriate, in that the reaction is an irrational, primarily emotional one. Good designs that are obscure, unfashionable or, for economic reasons, difficult to source seem, well, hard-done-by. Lonely and sad they wait for the day when someone notices them. It is hard to believe that in 1994, the year we started carrying Stelton, the line was otherwise virtually unavailable in Toronto. Or that in 2000 we were one of only two Marimekko dealers in the city. When, in 1995, we first started stocking <a href='http://www.swipe.com/wp-content/uploads/2010/01/toikkabarnowl.jpg' onClick='return popitup(this.href);' target='_blank'>Toikka birds</a> from Iittala, we were told by a college design professor that they didn&#8217;t belong in the shop because &#8220;they aren&#8217;t design, they&#8217;re kitsch&#8221;. At this point, all of these lines are available at shops throughout the city and, consequently, we have scaled back our selection to a few under-represented items (for example the lovely <a href="http://www.swipe.com/?cat=51" target="_blank">ashtray</a> that is the heart of Jacobsen&#8217;s Cylinda Line).</p>
<p><strong>Twergi Pepper Mill &amp; Salt Grinder</strong><br />
✍ 1989: Ettore Sottsass</p>
<p>In 1988 Alessi acquired a centuries old Italian firm, <em>Piazza Battista</em>, that specialized in making small turned-wood kitchenwares. One year later, Alessi launched its inaugural wooden product line under the <em>Twergi </em>brand name (logo by Milton Glaser). Most of the items were designed by the late <a href="http://designmuseum.org/design/ettore-sottsass" target="_blank">Ettore Sottsass</a> and feature his trademark extravagant use of colour and pattern. With a distinctly unfashionable post-modern flavour, much of the line has since been retired. This pepper mill and the matching salt grinder are among our favourite products. And, yes, lonely and sad they wait for the day when someone notices them.</p>
<p>Pepper Mill: $159.95<br />
Salt Grinder: $121.95</p>
<p style="text-align: center;">_________________________________</p>
<p style="text-align: left;">To purchase any of the products or titles mentioned here, please visit our downtown Toronto location, call us toll-free at 1-800-56-swipe or e-mail us at: <a href="mailto:info@swipe.com">info@swipe.com</a>.</p>
]]></content:encoded>
			<wfw:commentRss>http://www.swipe.com/?feed=rss2&amp;p=2946</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Confessions of a Biblio Voyeur</title>
		<link>http://www.swipe.com/?p=2887</link>
		<comments>http://www.swipe.com/?p=2887#comments</comments>
		<pubDate>Fri, 22 Jan 2010 02:05:20 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Architecture]]></category>
		<category><![CDATA[Built Books on Architecture & I.D.]]></category>
		<category><![CDATA[Exhibits & Events]]></category>

		<guid isPermaLink="false">http://www.swipe.com/?p=2887</guid>
		<description><![CDATA[
Unpacking My Library: Architects and Their Books
✍ 2009: Jo Steffens, editor; with an essay by Walter Benjamin
A great way to annoy friends or loved ones with an interest in popular culture is to consistently look past the celebrities in the glossy magazines at the books on the shelves behind them (“Look at her arms; do you [...]]]></description>
			<content:encoded><![CDATA[<p><img class="size-full wp-image-2888 alignnone" title="unpackingmylibrary" src="http://www.swipe.com/wp-content/uploads/2010/01/unpackingmylibrary.jpg" alt="unpackingmylibrary" width="550" height="380" /></p>
<p><strong>Unpacking My Library: Architects and Their Books</strong><br />
✍ 2009: Jo Steffens, editor; with an <a href="http://www.swipe.com/wp-content/uploads/2010/01/walterbenjaminunpacking.pdf">essay</a> by Walter Benjamin</p>
<p>A great way to annoy friends or loved ones with an interest in popular culture is to consistently look past the celebrities in the glossy magazines at the books on the shelves behind them (“Look at her arms; do you think she&#8217;s anorexic?&#8221; &#8220;I don&#8217;t know, but don&#8217;t you think she&#8217;s a bit old to be reading Ayn Rand and Hermann Hesse?&#8221;). More than any other conceit, an individual&#8217;s library provides reliable insight into their their self image. This delicious little book, based on an <a href="http://www.unpackingmylibrary.org/exhibition.html" target="_blank">exhibition</a> at <a href="http://www.urbancenterbooks.org/" target="_blank">Urban Center Books</a> (The Architecture Bookstore of the Municipal Art Society of New York), showcases the libraries of twelve renowned architects, simultaneously cataloguing their intellectual influences and betraying their intellectual affectations. Editor Jo Steffens, who previously edited <em>Block by Block: Jane Jacobs and the Future of New York City,</em> offers a series of photographs of each library with the books in place on their shelves, recording the library&#8217;s aesthetic and organizational context along with its contents.</p>
<p><img class="alignnone size-full wp-image-2916" title="unpackingmylibrarydillerscofidio" src="http://www.swipe.com/wp-content/uploads/2010/01/unpackingmylibrarydillerscofidio.jpg" alt="unpackingmylibrarydillerscofidio" width="550" height="275" /></p>
<p>In addition to the photographs, each participant is asked to provide a reading list of the ten books that have most influenced them and interviews allow each to assess the  importance of their libraries to their careers. One wonders if, after the initial flattery of being approached for the project, any of the twelve experienced trepidation at the thought of all those strangers looking at their books. While allowing guests to snoop our books is something that we readily tolerate, one&#8217;s library is undoubtedly more revealing than the medicine cabinet we keep locked, or the porn collection and notebook of juvenile poetry we hide so scrupulously. <em>(2009: Yale University Press; ISBN  9780300158939)</em></p>
<p style="text-align: left;">$22.95</p>
<p>Oh, and the architects whose libraries and reading lists are featured are:</p>
<p><a href="http://www.stanallenarchitect.com/" target="_blank">Stan Allen</a><br />
<a href="http://www.pcfandp.com/a/f/fme/hnc/b/b.html" target="_blank"> Henry Cobb</a><br />
<a href="http://www.dillerscofidio.com/" target="_blank"> Liz Diller &amp; Ric Scofidio</a><br />
<a href="http://www.eisenmanarchitects.com/" target="_blank"> Peter Eisenman</a><br />
<a href="http://www.michaelgraves.com/" target="_blank"> Michael Graves</a><br />
<a href="http://www.stevenholl.com/" target="_blank"> Steven Holl</a><br />
<a href="http://www.tmarch.com/" target="_blank"> Toshiko Mori</a><br />
<a href="http://www.sorkinstudio.com/" target="_blank"> Michael Sorkin</a><br />
<a href="http://www.tschumi.com/" target="_blank"> Bernard Tschumi</a><br />
<a href="http://www.twbta.com/" target="_blank"> Todd Williams &amp; Billie Tsien</a></p>
<p style="text-align: center;">_________________________________</p>
<p style="text-align: left;">To purchase any of the products or titles mentioned here, please visit our downtown Toronto location, call us toll-free at 1-800-56-swipe or e-mail us at: <a href="mailto:info@swipe.com">info@swipe.com</a>.</p>
]]></content:encoded>
			<wfw:commentRss>http://www.swipe.com/?feed=rss2&amp;p=2887</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Bibio: -graphic, -mania, -phile, etc.</title>
		<link>http://www.swipe.com/?p=2813</link>
		<comments>http://www.swipe.com/?p=2813#comments</comments>
		<pubDate>Fri, 15 Jan 2010 21:16:55 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Advertising]]></category>
		<category><![CDATA[Book Design]]></category>
		<category><![CDATA[Books on Communication Design]]></category>
		<category><![CDATA[Graphic Design]]></category>
		<category><![CDATA[Typography]]></category>

		<guid isPermaLink="false">http://www.swipe.com/?p=2813</guid>
		<description><![CDATA[
Bibliographic: 100 Classic Graphic Design Books
✍ 2009: Jason Godfrey
Let us begin by admitting that it is impossible for this book to have been sufficiently good for us not to have found reason to criticize it and, conversely, that the book would have had to have been quite terrifically bad for us not to be thrilled to [...]]]></description>
			<content:encoded><![CDATA[<p style="text-align: center;"><img class="size-full wp-image-2815 aligncenter" style="border: 1px solid black;" title="bibliographic" src="http://www.swipe.com/wp-content/uploads/2010/01/bibliographic.jpg" alt="bibliographic" width="340" height="420" /></p>
<p><strong>Bibliographic: 100 Classic Graphic Design Books</strong><br />
✍ 2009: <a href="http://www.godfreydesign.co.uk" target="_blank">Jason Godfrey</a></p>
<p style="text-align: left;">Let us begin by admitting that it is impossible for this book to have been sufficiently good for us not to have found reason to criticize it and, conversely, that the book would have had to have been quite terrifically bad for us not to be thrilled to see it published. We sell books. Specifically, we sell graphic design books. Write a history of live bait and Ned &#8220;Dew Worm&#8221; Johnson* is gonna love it. And yes, we love <em>Bibliographic: 100 Classic Graphic Design Books</em>. In his introduction Godfrey is quick to point out that this is not intended to be a history of Twentieth Century graphic design nor should it be taken as exhaustive. And, while one might take issue with some of the titles included (Chuck Anderson’s <em>Old Advertising Cuts from A–Z</em>) and be offended by (or feel smug about) the absence of one&#8217;s personal favourite  (Otl Aicher&#8217;s <em>Typographie)</em>, there are selections here that demonstrate an unexpected level of thoughtful sophistication. The sight of the Morgan Press wood type samples should be enough to encourage any typophile to forgive nearly any other omission (though, as Canadians, it’s hard to accept that Carl Dair&#8217;s <em>Design with Type</em> didn&#8217;t even make the <em>Further Readings</em> list!). <em>(2009: Laurence King Publishing; ISBN  9781856695923)<br />
</em><em><span style="color: #808080;">* A real guy (as a teenager I tried picking worms to make pocket money) – David</span></em></p>
<p style="text-align: left;">$62.50</p>
<p>OK, so here’s the list (<span style="color: #ec008c;">*</span>asterisks mark the titles that are in print and available from Swipe). Scoff away!</p>
<p><strong>Typography</strong><br />
<em> American Line Type Book</em><em><br />
Spécimen Général: Tome 1</em><em><br />
Die Neue Typographie</em>, Jan Tschichold<span style="color: #ec008c;">*</span><br />
<em>Modern and Historical Typography</em>, Imre Reiner<br />
<em>The Letter as a Work of</em> Art, Dr Gerard Knuttel<br />
<em>Manuale Typographicum</em>, Hermann Zapf<br />
<em>The Encyclopaedia of Type Faces</em>, W. Turner Berry, A.F. Johnson &amp; W.P. Jaspert<span style="color: #ec008c;">*</span><br />
<em>Alphabet Thesaurus Nine Thousand </em><br />
<em>An Atlas of Typeforms</em>, James Sutton &amp; Alan Bartram<br />
<em>Wood 2 </em><br />
<em>American Wood Type: 1828–1900</em>, Rob Roy Kelly<br />
<em>Letraset </em><br />
<em>A Constructed Roman Alphabet</em>, David Lance Goines<br />
<em>Igarashi Alphabets</em>, Takenobu Igarashi<br />
<em>London’s Handwriting</em>, Colin Banks<br />
<em>Helvetica: Homage to a Typeface</em>, Lars Müller<span style="color: #ec008c;">*</span></p>
<p><strong>Source</strong><strong>books</strong><em><br />
Handbook of Designs and Devices</em>, Clarence P. Hornung<em><br />
Printed Ephemera</em>, John Lewis<br />
<em>Semiologie Graphique</em>, Jacques Bertin<br />
<em>Letter and Image</em>, Robert Massin</p>
<p><img class="alignnone size-full wp-image-2841" style="border: 1px solid black;" title="bibliographicspread3" src="http://www.swipe.com/wp-content/uploads/2010/01/bibliographicspread3.jpg" alt="bibliographicspread3" width="500" height="306" /><em> </em></p>
<p><em>Trade Marks &amp; Symbols</em>, Yasaburo Kuwayama<br />
<em>Label Design</em>, Claude Humbert<br />
<em>Symbol Sourcebook</em>, Henry Dreyfuss<span style="color: #ec008c;">*</span><br />
<em>Handbook of Pictorial Symbols</em>, Rudolf Modley<span style="color: #ec008c;">*</span><br />
<em>Words and Buildings</em>, Jock Kinneir<br />
<em>The Dictionary of Visual Language</em>, Philip Thompson &amp; Peter Davenport<br />
<em>Old Advertising Cuts from A–Z</em>, Charles S. Anderson<br />
<em>Today’s Hieroglyphs</em>, Hans-Rudolf Lutz<span style="color: #ec008c;">*</span><br />
<em>Alphabets &amp; Other Signs</em>, Julian Rothenstein &amp; Mel Gooding (editors)</p>
<p><strong>Instructional</strong><em><br />
Layout in Advertising</em>, W.A. Dwiggins<em><br />
Mise en Page</em>, Alfred Tolmer<em><br />
Colour in Advertising</em>, Joseph Binder<em><br />
Language of Vision</em>, György Kepes<em><br />
Vision in Motion</em>, László Moholy-Nagy<em><br />
The Graphic Artist and His Design Problems</em>, Josef Müller-Brockmann<em><br />
Typography</em>, Aaron Burns<em><br />
Typography: Basic Principles</em>, John Lewis<em><br />
Graphic Design Manual</em>, Armin Hofmann<span style="color: #ec008c;">*</span></p>
<p><em><img class="alignnone size-full wp-image-2840" style="border: 1px solid black;" title="bibliographicspread4" src="http://www.swipe.com/wp-content/uploads/2010/01/bibliographicspread4.jpg" alt="bibliographicspread4" width="500" height="306" /><br />
</em></p>
<p><em> Visual Presentation of Invisible Processes</em>, Anton Stankowski<em><br />
Typography</em>, Emil Ruder<span style="color: #ec008c;">*</span><br />
<em> A Sign Systems Manual</em>, Crosby/Fletcher/Forbes<em><br />
Grid Systems in Graphic Design</em>, Josef Müller-Brockmann<span style="color: #ec008c;">*</span><br />
<em> Th</em><em>e Visual Display of Quantitative Information</em>, Edward R. Tufte<span style="color: #ec008c;">*</span><br />
<em>Notes on Book Design</em>, Derek Birdsall<span style="color: #ec008c;">*</span></p>
<p><strong>Histories </strong><br />
<em>The New Graphic Art</em>, Karl Gerstner &amp; Markus Kutter<br />
<em>Functional Graphic Design in the 20’s</em>, Eckhard Neumann</p>
<p><img class="alignnone size-full wp-image-2817" style="border: 1px solid black;" title="bibliographicspread1" src="http://www.swipe.com/wp-content/uploads/2010/01/bibliographicspread1.jpg" alt="bibliographicspread1" width="500" height="306" /><em></em></p>
<p><em>P</em><em>ioneers of Modern Typography</em>, Herbert Spencer<em><br />
Images of an Era</em>, John Garrigan, Margaret Cogswell, Milton Glaser, Dore Ashton &amp; Alan Gowans<br />
<em>The Language of Graphics</em>, Edward Booth-Clibborn &amp; Daniele Baroni<br />
<em>A History of Graphic Design</em>, Philip B. Meggs<span style="color: #ec008c;">*</span><br />
<em>Bauhaus: Drucksachen, Typografie, Reklame</em>, Gerd Fleischmann<br />
<em>Typography: When Who How</em>, Friedrich Friedl, Nicolaus Ott &amp; Bernard Stein<br />
<em>Graphic Styles</em>, Steven Heller &amp; Seymour Chwast<span style="color: #ec008c;">*</span><br />
<em>Graphic Design: A Concise History</em>, Richard Hollis<span style="color: #ec008c;">*</span></p>
<p><strong>Anthologies </strong><br />
<em>Seven Designers Look at Trademark Design</em>, Egbert Jacobson (editor)<br />
<em>Polski Plakat Filmowy,</em> Tadeusz Kowalski (editor)<br />
<em>Graphic Design: Visual Comparisons</em>, Alan Fletcher, Colin Forbes &amp; Bob Gill<br />
<em>Publicity and Graphic Design in the Chemical Industry</em>, Hans Neuburg<br />
<em>Design Coordination and Corporate Image</em>, F.H.K. Henrion &amp; Alan Parkin<br />
<em>Graphis Diagrams</em>, Walter Herdeg (editor)<br />
<em>Top Graphic Design</em>, F.H.K. Henrion<br />
<em>The Liberated Page</em>, Herbert Spencer (editor)<br />
<em>Typography Now</em>, Rick Poynor &amp; Edward Booth-Clibborn (editors)<br />
<em>Carouschka’s Tickets</em>, Carouschka Streijffert &amp; Peter Kihlgard</p>
<p style="text-align: left;"><strong>Monographs</strong><em><br />
Thoughts on Design</em>, Paul Rand<em><br />
Esposizioni e Mostre</em>, Erberto Carboni<em><br />
Visual Design in Action</em>, Ladislav Sutnar<em><br />
Love and Joy about Letters</em>, Ben Shahn<em><br />
Milton Glaser: G</em><em>raphic Design</em>, Milton Glaser<br />
<em>The Graphic Design of Yusaku Kamekura</em>, Yusaku Kamekura<br />
<em>Jan Tschichold: Typographer</em>, Ruari McLean</p>
<p style="text-align: left;"><img class="alignnone size-full wp-image-2839" style="border: 1px solid black;" title="bibliographicspread5" src="http://www.swipe.com/wp-content/uploads/2010/01/bibliographicspread5.jpg" alt="bibliographicspread5" width="500" height="306" /></p>
<p style="text-align: left;"><em>The Art of Advertising,</em> George Lois &amp; Bill Pitts<br />
<em>The Complete Tadanori Yokoo</em>, Tadanori Yokoo<br />
<em>‘Walk Away René’</em>, George Hardie &amp; Storm Thorgerson<br />
<em>Living by Design</em>, The Partners of Pentagram &amp; Peter Gorb (editor)<br />
<em>Forget All the Rules You Ever Learned about Graphic Design. Including the Ones in this Book.</em>, Bob Gill<br />
<em>Lo Studio Boggeri: 1933–1981</em>, Bruno Monguzzi (editor)<br />
<em>Paul Rand: A Designer’s Art</em>, Paul Rand<br />
<em>Herb Lubalin: Art Director, Graphic Designer and Typographer</em>, Gertrude Snyder &amp; Alan Peckolick<br />
<em>Cassandre</em>, Henri Mouron<br />
<em>The Left-Handed Designer</em>, Seymour Chwast<br />
<em>Dorfsman &amp; CBS</em>, Dick Hess &amp; Marion Muller<br />
<em>The Art of Graphic Design</em>, Bradbury Thompson<br />
<em>The Graphic Language of Neville Brody</em>, Neville Brody &amp; Jon Wozencroft<span style="color: #ec008c;">*</span><br />
<em>Brodovitch</em>, Andy Grundberg<br />
<em>Siegfried Odermatt &amp; Rosmarie Tissi: Graphic Design</em>, Siegfried Odermatt, Rosmarie Tissi with Jack Waser &amp; Werner M. Wolf (editors)<br />
<em>Nova: 1965–1975</em>, David Hillman, Harri Peccinotti &amp; David Gibbs (editor)<br />
<em>The End of Print</em>, Lewis Blackwell &amp; David Carson<br />
<em>Printed Matter</em>, Robin Kinross, Jaap van Triest &amp; Karel Martens (editors)<span style="color: #ec008c;">*</span></p>
<p style="text-align: left;"><img class="size-full wp-image-2818 alignnone" style="border: 1px solid black;" title="bibliographicspread2" src="http://www.swipe.com/wp-content/uploads/2010/01/bibliographicspread2.jpg" alt="bibliographicspread2" width="500" height="306" /></p>
<p><em>Wim Crouwel: Mode en Module</em>, Frederike Huygen &amp; Hugues C. Boekraad<br />
<em>I Am Almost Always Hungry</em>, Cahan &amp; Associates<span style="color: #ec008c;">*</span><br />
<em>Tibor Kalman: Perverse Optimist</em>, Peter Hall &amp; Michael Bierut (editors)<span style="color: #ec008c;">*</span><br />
<em>Weingart: Typography</em>, Wolfgang Weingart<br />
<em>Maeda @ Media</em>, John Maeda<span style="color: #ec008c;">*</span><br />
<em>The Art of Looking Sideways</em>, Alan Fletcher<span style="color: #ec008c;">*</span><br />
<em>Sagmeister: Made You Look</em>, Peter Hall<span style="color: #ec008c;">*</span><br />
<em>Make it Bigger</em>, Paula Scher<span style="color: #ec008c;">*</span><br />
<em>Designed by Peter Saville</em>, Emily King (editor)<br />
<em>8vo: On the Outside</em>, Mark Holt &amp; Hamish Muir<span style="color: #ec008c;">*</span><br />
<em>Robert Brownjohn: Sex and Typography</em>, Emily King<span style="color: #ec008c;">*</span></p>
<p style="text-align: center;">_________________________________</p>
<p>To purchase any of the products or titles mentioned here, please visit our downtown Toronto location, call us toll-free at 1-800-56-swipe or e-mail us at: <a href="mailto:info@swipe.com">info@swipe.com</a>.</p>
<p style="text-align: left;">
]]></content:encoded>
			<wfw:commentRss>http://www.swipe.com/?feed=rss2&amp;p=2813</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>It&#8217;s January. It&#8217;s Annual Season. It&#8217;s Time to Engage in that Time-Honoured Tradition: Resenting the Success of Others &#8230;</title>
		<link>http://www.swipe.com/?p=2760</link>
		<comments>http://www.swipe.com/?p=2760#comments</comments>
		<pubDate>Fri, 08 Jan 2010 19:26:52 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Advertising]]></category>
		<category><![CDATA[Annuals]]></category>
		<category><![CDATA[Books on Communication Design]]></category>
		<category><![CDATA[Graphic Design]]></category>
		<category><![CDATA[Graphic Design Magazines]]></category>
		<category><![CDATA[Publication Design]]></category>

		<guid isPermaLink="false">http://www.swipe.com/?p=2760</guid>
		<description><![CDATA[It&#8217;s a new year and time to get back to work (and by work we mean flip through the annuals, slagging the work that won the awards you should have won).

One Show 31: Advertising’s Best Print, Design, Radio and TV

Once again the North American advertising and design industries’ most prestigious annual has been divided into [...]]]></description>
			<content:encoded><![CDATA[<p>It&#8217;s a new year and time to get back to work (and by work we mean flip through the annuals, slagging the work that won the awards you should have won).</p>
<p><img class="alignnone size-full wp-image-2765" title="oneshowadvertising31" src="http://www.swipe.com/wp-content/uploads/2010/01/oneshowadvertising31.jpg" alt="oneshowadvertising31" width="174" height="174" /><img class="alignnone size-full wp-image-2766" title="oneshopdesign3" src="http://www.swipe.com/wp-content/uploads/2010/01/oneshopdesign3.jpg" alt="oneshopdesign3" width="174" height="174" /><img class="alignnone size-full wp-image-2767" title="oneshowinveractive12" src="http://www.swipe.com/wp-content/uploads/2010/01/oneshowinveractive12.jpg" alt="oneshowinveractive12" width="174" height="174" /></p>
<p><strong>One Show 31: Advertising’s Best Print, Design, Radio and TV<br />
</strong></p>
<p>Once again the North American advertising and design industries’ most prestigious annual has been divided into three separate books: Advertising, Design and Interactive. While the One Show originated as an awards program focused on advertising copywriting, it is interesting to note that this year the three annuals are roughly the same size. And, once again, the <a href="http://www.oneclub.org/" target="_blank">Club</a> is offering a boxed set for those who refuse to be pigeonholed. <em>(2010: Rockport; ISBN 9780929837406 Advertising; </em><em>ISBN 9780929837383 Design; ISBN 9780929837420</em><em> Interactive</em><em>; ISBN 9780929837437 Boxed Set)</em></p>
<p>One Show 31 Advertising: $87.50<br />
One Show 31 Design (Volume 3): $62.50<br />
One Show 31 Interactive (Volume 12): $62.50<br />
One Show 31 – 3 Volume Boxed Set: $187.50</p>
<p><img class="alignnone size-full wp-image-3021" title="ada88" src="http://www.swipe.com/wp-content/uploads/2010/01/ada88.jpg" alt="ada88" width="182" height="210" /><img class="alignnone size-medium wp-image-2940" style="border: 1px solid black;" title="spd44" src="http://www.swipe.com/wp-content/uploads/2010/01/spd44-223x300.jpg" alt="spd44" width="156" height="210" /><img class="alignnone size-full wp-image-188" title="spacer" src="../wp-content/uploads/2009/02/spacer.jpg" alt="spacer" width="30" height="30" /><a href="http://www.swipe.com/wp-content/uploads/2010/01/typography30.jpg"></a><img class="alignnone size-full wp-image-3020" style="border: 1px solid black;" title="tdctypography30" src="http://www.swipe.com/wp-content/uploads/2010/01/tdctypography30.jpg" alt="tdctypography30" width="151" height="210" /></p>
<p><strong>88th New York Art Directors Annual</strong></p>
<p>Considered by many in the industry to be one of the toughest awards programs, the <a href="http://www.adcglobal.org/" target="_blank">New York Art Directors Club</a> presents the latest winners in both the national and international categories (includes a DVD with the multi-media award winners). <em>(2010: RotoVision; ISBN 9782888930853)</em></p>
<p>$99.95</p>
<p><strong>44th Society of Publication Design Annual (SPD)</strong></p>
<p>The <a href="http://www.spd.org/" target="_blank">Society of Publication Designers</a> annual is the only international awards program that specifically showcases the work of editorial art directors, with sections devoted to trade, corporate, institutional, newspaper, and consumer publication design. <em>(2009: Rockport; ISBN 9781592535866)</em></p>
<p>$74.95</p>
<p><strong>Typography 30: The Annual of the Type Directors Club</strong></p>
<p>The <a href="http://tdc.org/" target="_blank">Type Director’s Club</a> annual is the most eagerly anticipated of the awards program showcases we carry. This 30th edition, designed by Werner Design Werks, includes the winning entries from both the TDC55 Typography Competition and the TDC<sup>2</sup> 2009 Type Design Competition. Also included is a reprint of the original pages from the fifth TDC Competition held in 1960. <em>(2010: Harper Collins; ISBN 9780061726316).</em></p>
<p>$77.95</p>
<p style="text-align: center;"><img class="size-full wp-image-2780 aligncenter" title="graphisdesign20101" src="http://www.swipe.com/wp-content/uploads/2010/01/graphisdesign20101.jpg" alt="graphisdesign20101" width="216" height="296" /><img class="alignnone size-full wp-image-188" title="spacer" src="../wp-content/uploads/2009/02/spacer.jpg" alt="spacer" width="63" height="63" /><img class="alignnone size-full wp-image-2781" title="graphisadvertising2010" src="http://www.swipe.com/wp-content/uploads/2010/01/graphisadvertising2010.jpg" alt="graphisadvertising2010" width="216" height="296" /></p>
<p><strong>Graphis Design Annual 2010</strong></p>
<p>The flagship annual from Graphis, published continuously since 1952, this year’s volume features linked essays by <a href="http://www.priestandgrace.com/" target="_blank">Robert Priest</a>, one of the platinum winners in this Annual; <a href="http://www.visitoffice.com/" target="_blank">Office</a>, who branded David Eggers’ non-profit <a href="http://www.826valencia.org/store/shop.html" target="_blank">pirate store in San Francisco</a>; and <a href="http://www.goodbysilverstein.com/" target="_blank">Goodby, Silverstein &amp; Partners</a>, creators of HP’s Vivienne Tam mini-laptop campaign. <em>(2009: Graphis; ISBN 9781932026535)</em></p>
<p><strong>Graphis Advertising Annual 2010</strong></p>
<p>One of the more recent additions to the Graphis publishing program, since its introduction in 1993, <em>Graphis Advertising</em> has become an important single-volume alternative to the regional and association-based annuals. In-depth features include Adrian Pulfer and Lynn Dangel of <a href="http://www.dangeladvertising.com/" target="_blank">Dangel Advertising</a> explaining the latest Crate and Barrel campaign; <a href="http://www.devitoverdi.com/" target="_blank">DeVito/Verdi&#8217;s</a> Jay Marsen and Alexei Beltrone on their Legal Sea Foods mock-newspaper ads; and Jim Prior of <a href="http://www.thepartners.co.uk/flash/" target="_blank">The Partners</a> discussing the inspiration behind an exhibition for The National Gallery of London. <em>(2009: Graphis; ISBN 9781932026566)</em></p>
<p style="text-align: left;">Each $84.95</p>
<p style="text-align: center;"><img class="size-full wp-image-2783 aligncenter" style="border: 1px solid black;" title="communicationartsdesign2010" src="http://www.swipe.com/wp-content/uploads/2010/01/communicationartsdesign2010.jpg" alt="communicationartsdesign2010" width="180" height="227" /><img class="alignnone size-full wp-image-188" title="spacer" src="../wp-content/uploads/2009/02/spacer.jpg" alt="spacer" width="76" height="76" /><img class="alignnone size-full wp-image-2784" style="border: 1px solid black;" title="communicationartsadvertising2010" src="http://www.swipe.com/wp-content/uploads/2010/01/communicationartsadvertising2010.jpg" alt="communicationartsadvertising2010" width="180" height="228" /></p>
<p><strong>Communication Arts 2009 Advertising Annual</strong><strong></strong></p>
<p><strong>Communication Arts 2009 Design Annual</strong></p>
<p>Communication Arts recently <a title="Communication Arts Press Release" href="http://www.swipe.com/wp-content/uploads/2010/01/frequencypromo.pdf" target="_blank">announced</a> that they will no longer be publishing general magazine issues and instead produce only the six annuals that have become the focus of the publishing program over the past several years. Though we will miss the critical articles that previously characterized the publication, we are gratified that the print version of theses annuals will continue to offer professionals and students an economical overview of the year&#8217;s best work.  <em>(2009: Communications Arts; ISBN 007447092074801)</em></p>
<p>Each: $29.95</p>
<p style="text-align: center;">_________________________________</p>
<p>To purchase any of the products or titles mentioned here, please visit our downtown Toronto location, call us toll-free at 1-800-56-swipe or e-mail us at: <a href="mailto:info@swipe.com">info@swipe.com</a>.</p>
]]></content:encoded>
			<wfw:commentRss>http://www.swipe.com/?feed=rss2&amp;p=2760</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
	</channel>
</rss>
